L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)

The Cat, the Reverend and the Slave is a documentary directed by Alain Della Negra and Kaori Kinoshita (2010). It portrays three users of Second Life and offers an unprecedented view on an interfaced, mediated way of life. In the film, the cinema screen opens on the connected screen in a staging sym...

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Autor principal:	Anaïs Guilet
Formato:	article
Lenguaje:	EN FR
Publicado:	Centre de Recherche "Texte et Critique de Texte" 2021
Materias:	screen documentary avatar interface body trace American literature PS1-3576 English literature PR1-9680
Acceso en línea:	https://doaj.org/article/c1419348ba894f0b99b81680ae6d8f94
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id	oai:doaj.org-article:c1419348ba894f0b99b81680ae6d8f94
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spelling	oai:doaj.org-article:c1419348ba894f0b99b81680ae6d8f942021-12-02T11:28:02ZL’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)1272-38191969-630210.4000/sillagescritiques.11263https://doaj.org/article/c1419348ba894f0b99b81680ae6d8f942021-10-01T00:00:00Zhttp://journals.openedition.org/sillagescritiques/11263https://doaj.org/toc/1272-3819https://doaj.org/toc/1969-6302The Cat, the Reverend and the Slave is a documentary directed by Alain Della Negra and Kaori Kinoshita (2010). It portrays three users of Second Life and offers an unprecedented view on an interfaced, mediated way of life. In the film, the cinema screen opens on the connected screen in a staging symbolizing this interface. The screen is the place where users of Second Life and spectators alike can observe how interactions with the technical device (the avatar) but also with others, materialize. If the body is not obsolete yet, the documentary manages to alternate online and offline perspectives. It offers a tragicomic view of these dual beings, these distributed-selves and questions how digital technology reconfigures our modes of presence to ourselves, to others, and to the world. The film literally re-incarnates these avatars, which are both traces of a presence to oneself as well as a tool enabling communication. The connected screen seems to be so in more ways than one since it appears in the film as a vector of social linking.Anaïs GuiletCentre de Recherche "Texte et Critique de Texte"articlescreendocumentaryavatarinterfacebodytraceAmerican literaturePS1-3576English literaturePR1-9680ENFRSillages Critiques, Vol 30 (2021)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	screen documentary avatar interface body trace American literature PS1-3576 English literature PR1-9680
spellingShingle	screen documentary avatar interface body trace American literature PS1-3576 English literature PR1-9680 Anaïs Guilet L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
description	The Cat, the Reverend and the Slave is a documentary directed by Alain Della Negra and Kaori Kinoshita (2010). It portrays three users of Second Life and offers an unprecedented view on an interfaced, mediated way of life. In the film, the cinema screen opens on the connected screen in a staging symbolizing this interface. The screen is the place where users of Second Life and spectators alike can observe how interactions with the technical device (the avatar) but also with others, materialize. If the body is not obsolete yet, the documentary manages to alternate online and offline perspectives. It offers a tragicomic view of these dual beings, these distributed-selves and questions how digital technology reconfigures our modes of presence to ourselves, to others, and to the world. The film literally re-incarnates these avatars, which are both traces of a presence to oneself as well as a tool enabling communication. The connected screen seems to be so in more ways than one since it appears in the film as a vector of social linking.
format	article
author	Anaïs Guilet
author_facet	Anaïs Guilet
author_sort	Anaïs Guilet
title	L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_short	L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_full	L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_fullStr	L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_full_unstemmed	L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_sort	l’humain et l’écran, à l’écran : the cat, the reverend and the slave d’alain della negra et kaori kinoshita (2010)
publisher	Centre de Recherche "Texte et Critique de Texte"
publishDate	2021
url	https://doaj.org/article/c1419348ba894f0b99b81680ae6d8f94
work_keys_str_mv	AT anaisguilet lhumainetlecranalecranthecatthereverendandtheslavedalaindellanegraetkaorikinoshita2010
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L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)

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