Authenticity and creativity: The development of pencak silat in Sumedang

Many studies of silat have documented the jurus (moves) or aliran (streams) in silat, especially those based on tradition.Even so, there are still many things about this martial arts tradition that have not been deeply touched, for instance, how it can be developed without losing the authenticity of...

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Autores principales:	Semiarto Aji Purwanto, Andi R Saputra
Formato:	article
Lenguaje:	EN ID
Publicado:	Hasanuddin University 2020
Materias:	Authenticity creativity pencak silat Sumedang West Java. Ethnology. Social and cultural anthropology GN301-674
Acceso en línea:	https://doaj.org/article/c161630ad9be4fe98af2865eabd42bdd
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spelling	oai:doaj.org-article:c161630ad9be4fe98af2865eabd42bdd2021-11-08T23:09:18ZAuthenticity and creativity: The development of pencak silat in Sumedang10.31947/etnosia.v5i1.96412527-93192548-9747https://doaj.org/article/c161630ad9be4fe98af2865eabd42bdd2020-05-01T00:00:00Zhttps://journal.unhas.ac.id/index.php/etnosia/article/view/9641https://doaj.org/toc/2527-9319https://doaj.org/toc/2548-9747Many studies of silat have documented the jurus (moves) or aliran (streams) in silat, especially those based on tradition.Even so, there are still many things about this martial arts tradition that have not been deeply touched, for instance, how it can be developed without losing the authenticity of the tradition. We exercise it as a problem of how tradition and change should be defined, how authenticity is placed in a dynamic context, and how silat practitioners continue their creativity. Within an anthropological perspective, we put forward the case of the Perguruan Silat Garuda Putih in Sumedang to study how the individual ideas, learning process, and creations; and authenticity, structure, and power are tied together. The Sumedang silat tradition which originated from various aliran has been structured as a unique gaya (style) of fighting. The role of perguruan (silat training center), systematically keeps a beginner in silat to learn standard silat. At the end of learning, however, we believe that the process of creating moves and ibing (opening movements) shows a high dynamic amidst creativity, aligning movements with standards, maintaining authenticity, but at the same time also marking the individual characteristics of students.Semiarto Aji PurwantoAndi R SaputraHasanuddin UniversityarticleAuthenticitycreativitypencak silatSumedangWest Java.Ethnology. Social and cultural anthropologyGN301-674ENIDEtnosia, Vol 5, Iss 1 (2020)
institution	DOAJ
collection	DOAJ
language	EN ID
topic	Authenticity creativity pencak silat Sumedang West Java. Ethnology. Social and cultural anthropology GN301-674
spellingShingle	Authenticity creativity pencak silat Sumedang West Java. Ethnology. Social and cultural anthropology GN301-674 Semiarto Aji Purwanto Andi R Saputra Authenticity and creativity: The development of pencak silat in Sumedang
description	Many studies of silat have documented the jurus (moves) or aliran (streams) in silat, especially those based on tradition.Even so, there are still many things about this martial arts tradition that have not been deeply touched, for instance, how it can be developed without losing the authenticity of the tradition. We exercise it as a problem of how tradition and change should be defined, how authenticity is placed in a dynamic context, and how silat practitioners continue their creativity. Within an anthropological perspective, we put forward the case of the Perguruan Silat Garuda Putih in Sumedang to study how the individual ideas, learning process, and creations; and authenticity, structure, and power are tied together. The Sumedang silat tradition which originated from various aliran has been structured as a unique gaya (style) of fighting. The role of perguruan (silat training center), systematically keeps a beginner in silat to learn standard silat. At the end of learning, however, we believe that the process of creating moves and ibing (opening movements) shows a high dynamic amidst creativity, aligning movements with standards, maintaining authenticity, but at the same time also marking the individual characteristics of students.
format	article
author	Semiarto Aji Purwanto Andi R Saputra
author_facet	Semiarto Aji Purwanto Andi R Saputra
author_sort	Semiarto Aji Purwanto
title	Authenticity and creativity: The development of pencak silat in Sumedang
title_short	Authenticity and creativity: The development of pencak silat in Sumedang
title_full	Authenticity and creativity: The development of pencak silat in Sumedang
title_fullStr	Authenticity and creativity: The development of pencak silat in Sumedang
title_full_unstemmed	Authenticity and creativity: The development of pencak silat in Sumedang
title_sort	authenticity and creativity: the development of pencak silat in sumedang
publisher	Hasanuddin University
publishDate	2020
url	https://doaj.org/article/c161630ad9be4fe98af2865eabd42bdd
work_keys_str_mv	AT semiartoajipurwanto authenticityandcreativitythedevelopmentofpencaksilatinsumedang AT andirsaputra authenticityandcreativitythedevelopmentofpencaksilatinsumedang
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Authenticity and creativity: The development of pencak silat in Sumedang

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