Fragile Characters in a Fragmented World: Hamartia in Herondas

The notion of hamartia in Aristotle’s Poetics and his moral writings refers to harmful and yet unintentional acts committed in ignorance. In the Poetics it is considered as an important feature of the best type of tragic plot and the action of many tragic characters, while relevant instances are fou...

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Autor principal: Andreas Fountoulakis
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spelling oai:doaj.org-article:c164044adf7f4203b26117abedd0ada32021-12-02T09:54:33ZFragile Characters in a Fragmented World: Hamartia in Herondas1775-427510.4000/aitia.6398https://doaj.org/article/c164044adf7f4203b26117abedd0ada32021-08-01T00:00:00Zhttp://journals.openedition.org/aitia/6398https://doaj.org/toc/1775-4275The notion of hamartia in Aristotle’s Poetics and his moral writings refers to harmful and yet unintentional acts committed in ignorance. In the Poetics it is considered as an important feature of the best type of tragic plot and the action of many tragic characters, while relevant instances are found in both tragedy and comedy. The aim of this paper is to examine hamartia in Herondas’ mimiambs, a literary genre that draws upon the tradition of genres such as the mime, iambic poetry and drama. It is argued that mimiambs 1 and 5 show an awareness of hamartia’s usages in Aristotle and in dramatic poetry. Yet in Herondas these usages are not fully developed. They contribute instead to the elucidation of specific aspects of the characters who emerge from the mimiambs. This demonstrates Herondas’ concern with ethical norms in a world of everyday experience and his multi-faceted use of earlier philosophical discourse and literary genres.Andreas FountoulakisENS ÉditionsarticleHamartiaHerondasAristotletragedycomedyMenanderHistory of GreeceDF10-951ENFRITAitia : Regards sur la Culture Hellénistique au XXIe Siècle, Vol 11, Iss 1 (2021)
institution DOAJ
collection DOAJ
language EN
FR
IT
topic Hamartia
Herondas
Aristotle
tragedy
comedy
Menander
History of Greece
DF10-951
spellingShingle Hamartia
Herondas
Aristotle
tragedy
comedy
Menander
History of Greece
DF10-951
Andreas Fountoulakis
Fragile Characters in a Fragmented World: Hamartia in Herondas
description The notion of hamartia in Aristotle’s Poetics and his moral writings refers to harmful and yet unintentional acts committed in ignorance. In the Poetics it is considered as an important feature of the best type of tragic plot and the action of many tragic characters, while relevant instances are found in both tragedy and comedy. The aim of this paper is to examine hamartia in Herondas’ mimiambs, a literary genre that draws upon the tradition of genres such as the mime, iambic poetry and drama. It is argued that mimiambs 1 and 5 show an awareness of hamartia’s usages in Aristotle and in dramatic poetry. Yet in Herondas these usages are not fully developed. They contribute instead to the elucidation of specific aspects of the characters who emerge from the mimiambs. This demonstrates Herondas’ concern with ethical norms in a world of everyday experience and his multi-faceted use of earlier philosophical discourse and literary genres.
format article
author Andreas Fountoulakis
author_facet Andreas Fountoulakis
author_sort Andreas Fountoulakis
title Fragile Characters in a Fragmented World: Hamartia in Herondas
title_short Fragile Characters in a Fragmented World: Hamartia in Herondas
title_full Fragile Characters in a Fragmented World: Hamartia in Herondas
title_fullStr Fragile Characters in a Fragmented World: Hamartia in Herondas
title_full_unstemmed Fragile Characters in a Fragmented World: Hamartia in Herondas
title_sort fragile characters in a fragmented world: hamartia in herondas
publisher ENS Éditions
publishDate 2021
url https://doaj.org/article/c164044adf7f4203b26117abedd0ada3
work_keys_str_mv AT andreasfountoulakis fragilecharactersinafragmentedworldhamartiainherondas
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