Actos de guerra. Tiempos y escenas para pensar Malvinas

In the last few years, around the 30th anniversary of the Malvinas War between Argentina and the United Kingdom there was an explosion of cultural productions about the war experience, with various proposals and formats which, besides drama, film, and literature, include TV shows, short-feature film...

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Autor principal:	Marcela Visconti
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2019
Materias:	Malvinas War Aesthetic productions Temporalities Bodies in scene Documentary value Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/c2b790c3f90e43109ec47a6d8e46f87a
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id	oai:doaj.org-article:c2b790c3f90e43109ec47a6d8e46f87a
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spelling	oai:doaj.org-article:c2b790c3f90e43109ec47a6d8e46f87a2021-12-02T10:35:15ZActos de guerra. Tiempos y escenas para pensar Malvinas1626-025210.4000/nuevomundo.78056https://doaj.org/article/c2b790c3f90e43109ec47a6d8e46f87a2019-12-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/78056https://doaj.org/toc/1626-0252In the last few years, around the 30th anniversary of the Malvinas War between Argentina and the United Kingdom there was an explosion of cultural productions about the war experience, with various proposals and formats which, besides drama, film, and literature, include TV shows, short-feature films, educational materials, and opera. I will focus on some examples which prove significant when reflecting about the documentary value of bodies, particularly as regards the recent work by Lola Arias (the documentary Teatro de guerra, the play Campo minado, and the video-installation Veteranos), and about the symbolic power of absent bodies, particularly in the opera Aliados, una ópera en tiempo real, by Sebastián Rivas and Esteban Buch, which premiered in Buenos Aires in 2015 directed by Marcelo Lombardero. At the performative boundary between heterogeneous materials, and based on cross-contaminating genres and diverse languages, these works construct a scene that looks back on the war past to bring it to the present. In this context of temporal tension, the presence of the documentary-real, gives rise to a space in which, through bodies (or the absence thereof), History breaks through.Marcela ViscontiCentre de Recherches sur les Mondes AméricainsarticleMalvinas WarAesthetic productionsTemporalitiesBodies in sceneDocumentary valueAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	Malvinas War Aesthetic productions Temporalities Bodies in scene Documentary value Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	Malvinas War Aesthetic productions Temporalities Bodies in scene Documentary value Anthropology GN1-890 Latin America. Spanish America F1201-3799 Marcela Visconti Actos de guerra. Tiempos y escenas para pensar Malvinas
description	In the last few years, around the 30th anniversary of the Malvinas War between Argentina and the United Kingdom there was an explosion of cultural productions about the war experience, with various proposals and formats which, besides drama, film, and literature, include TV shows, short-feature films, educational materials, and opera. I will focus on some examples which prove significant when reflecting about the documentary value of bodies, particularly as regards the recent work by Lola Arias (the documentary Teatro de guerra, the play Campo minado, and the video-installation Veteranos), and about the symbolic power of absent bodies, particularly in the opera Aliados, una ópera en tiempo real, by Sebastián Rivas and Esteban Buch, which premiered in Buenos Aires in 2015 directed by Marcelo Lombardero. At the performative boundary between heterogeneous materials, and based on cross-contaminating genres and diverse languages, these works construct a scene that looks back on the war past to bring it to the present. In this context of temporal tension, the presence of the documentary-real, gives rise to a space in which, through bodies (or the absence thereof), History breaks through.
format	article
author	Marcela Visconti
author_facet	Marcela Visconti
author_sort	Marcela Visconti
title	Actos de guerra. Tiempos y escenas para pensar Malvinas
title_short	Actos de guerra. Tiempos y escenas para pensar Malvinas
title_full	Actos de guerra. Tiempos y escenas para pensar Malvinas
title_fullStr	Actos de guerra. Tiempos y escenas para pensar Malvinas
title_full_unstemmed	Actos de guerra. Tiempos y escenas para pensar Malvinas
title_sort	actos de guerra. tiempos y escenas para pensar malvinas
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2019
url	https://doaj.org/article/c2b790c3f90e43109ec47a6d8e46f87a
work_keys_str_mv	AT marcelavisconti actosdeguerratiemposyescenasparapensarmalvinas
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Actos de guerra. Tiempos y escenas para pensar Malvinas

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