Fikcja jako „dybuk”
Fiction as a „dybbuk”. Remarks about the „Adherence” of the Past to the Present in the Context of the Film Titled Demon Directed by Marcin Wrona The article remarks about the „adherence” of the past to the present in the context of the film, Demon directed by Marcin Wrona showing that the influe...
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Ksiegarnia Akademicka Publishing
2021
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oai:doaj.org-article:c33b3919a9f64523a1f80603a28cd29c2021-11-27T13:11:25ZFikcja jako „dybuk”10.12797/Politeja.18.2021.70.131733-67162391-6737https://doaj.org/article/c33b3919a9f64523a1f80603a28cd29c2021-02-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/3690https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 Fiction as a „dybbuk”. Remarks about the „Adherence” of the Past to the Present in the Context of the Film Titled Demon Directed by Marcin Wrona The article remarks about the „adherence” of the past to the present in the context of the film, Demon directed by Marcin Wrona showing that the influence of fiction on memory brings about a lot of changes in the cognition of the relations between the past and the present. The author of the paper suggests that we could or should treat fiction as the cognitive frame of the relations between the past and the present. To be able to strengthen his hypothesis, he analyzes and interprets the film created in the horror genre, which shows complicated Jewish-Polish relations. The article is a short introduction to the theory of fiction as the cognitive frame of memory. Marek KaźmierczakKsiegarnia Akademicka PublishingarticlememorypresentpastfilmadherenceLawKPolitical scienceJENPLPoliteja, Vol 18, Iss 1(70) (2021) |
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EN PL |
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memory present past film adherence Law K Political science J |
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memory present past film adherence Law K Political science J Marek Kaźmierczak Fikcja jako „dybuk” |
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Fiction as a „dybbuk”. Remarks about the „Adherence” of the Past to the Present in the Context of the Film Titled Demon Directed by Marcin Wrona
The article remarks about the „adherence” of the past to the present in the context of the film, Demon directed by Marcin Wrona showing that the influence of fiction on memory brings about a lot of changes in the cognition of the relations between the past and the present. The author of the paper suggests that we could or should treat fiction as the cognitive frame of the relations between the past and the present. To be able to strengthen his hypothesis, he analyzes and interprets the film created in the horror genre, which shows complicated Jewish-Polish relations. The article is a short introduction to the theory of fiction as the cognitive frame of memory.
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format |
article |
author |
Marek Kaźmierczak |
author_facet |
Marek Kaźmierczak |
author_sort |
Marek Kaźmierczak |
title |
Fikcja jako „dybuk” |
title_short |
Fikcja jako „dybuk” |
title_full |
Fikcja jako „dybuk” |
title_fullStr |
Fikcja jako „dybuk” |
title_full_unstemmed |
Fikcja jako „dybuk” |
title_sort |
fikcja jako „dybuk” |
publisher |
Ksiegarnia Akademicka Publishing |
publishDate |
2021 |
url |
https://doaj.org/article/c33b3919a9f64523a1f80603a28cd29c |
work_keys_str_mv |
AT marekkazmierczak fikcjajakodybuk |
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1718408706607022080 |