El esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de Herondas

El esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de Herondas

Slaves are an important part of Herondas’ mimes’ characters. They are mostly women, silent figures who, with some exceptions, see their existence reduced to the activity of their body, with which they fulfill the orders of their masters. However, this does not happen smoothly, because, lazy and indo...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Claudia N. Fernández
Formato: article
Lenguaje:EN
FR
IT
Publicado: ENS Éditions 2021
Materias:
slaves
body
torture
mimiamb
History of Greece
DF10-951
Acceso en línea:https://doaj.org/article/c43182b9cc004d5e848083edd705100a
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:c43182b9cc004d5e848083edd705100a
record_format dspace
spelling oai:doaj.org-article:c43182b9cc004d5e848083edd705100a2021-12-02T09:54:34ZEl esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de Herondas1775-427510.4000/aitia.6326https://doaj.org/article/c43182b9cc004d5e848083edd705100a2021-08-01T00:00:00Zhttp://journals.openedition.org/aitia/6326https://doaj.org/toc/1775-4275Slaves are an important part of Herondas’ mimes’ characters. They are mostly women, silent figures who, with some exceptions, see their existence reduced to the activity of their body, with which they fulfill the orders of their masters. However, this does not happen smoothly, because, lazy and indolent as they are, the slaves keep in permanent conflict with their owners. The scenes that recreate these confrontations, a topos of the genre, conclude with the threats of future punishment or its effective compliance. The marks of the master in the flesh of the slave are not only text written on his body (bodily text), but body text, upon which the mime focuses its attention.Claudia N. FernándezENS ÉditionsarticleslavesbodytorturemimiambHistory of GreeceDF10-951ENFRITAitia : Regards sur la Culture Hellénistique au XXIe Siècle, Vol 11, Iss 1 (2021)
institution DOAJ
collection DOAJ
language EN
FR
IT
topic slaves
body
torture
mimiamb
History of Greece
DF10-951
spellingShingle slaves
body
torture
mimiamb
History of Greece
DF10-951
Claudia N. Fernández
El esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de Herondas
description Slaves are an important part of Herondas’ mimes’ characters. They are mostly women, silent figures who, with some exceptions, see their existence reduced to the activity of their body, with which they fulfill the orders of their masters. However, this does not happen smoothly, because, lazy and indolent as they are, the slaves keep in permanent conflict with their owners. The scenes that recreate these confrontations, a topos of the genre, conclude with the threats of future punishment or its effective compliance. The marks of the master in the flesh of the slave are not only text written on his body (bodily text), but body text, upon which the mime focuses its attention.
format article
author Claudia N. Fernández
author_facet Claudia N. Fernández
author_sort Claudia N. Fernández
title El esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de Herondas
title_short El esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de Herondas
title_full El esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de Herondas
title_fullStr El esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de Herondas
title_full_unstemmed El esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de Herondas
title_sort el esclavo como ‘texto corporal’ y ‘cuerpo textual’ en los mimos de herondas
publisher ENS Éditions
publishDate 2021
url https://doaj.org/article/c43182b9cc004d5e848083edd705100a
work_keys_str_mv AT claudianfernandez elesclavocomotextocorporalycuerpotextualenlosmimosdeherondas
_version_ 1718397968146497536

Ejemplares similares