The problem of images: A view from the brain-body
Why do humans create images and what are their features that make them special? How are image-making and the uses of images related? What is the purpose of images? The “problem of images” is addressed through the lens of contemporary neuroscience, arguing why and how neuroscience can investigate our...
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Rosenberg & Sellier
2018
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oai:doaj.org-article:c460ff070715483da4c8895e229353682021-12-02T12:05:48ZThe problem of images: A view from the brain-body10.13128/Phe_Mi-236262280-78532239-4028https://doaj.org/article/c460ff070715483da4c8895e229353682018-09-01T00:00:00Zhttps://oaj.fupress.net/index.php/pam/article/view/7308https://doaj.org/toc/2280-7853https://doaj.org/toc/2239-4028Why do humans create images and what are their features that make them special? How are image-making and the uses of images related? What is the purpose of images? The “problem of images” is addressed through the lens of contemporary neuroscience, arguing why and how neuroscience can investigate our relationship with art and aesthetics, framing this empirical approach as “experimental aesthetics.” Recent discoveries are presented that changed our ideas about perception, action, and cognition and the relationship among them, allowing a new look—complementary to the humanistic approach—at the problem of images. A new model of perception and cognition is proposed, called embodied simulation, which reveals the constitutive relationship between brain-body and the reception of human creative expressions.Vittorio GalleseRosenberg & Sellierarticleaestheticsembodied simulationimagesneuroscienceAestheticsBH1-301EthicsBJ1-1725ENFRITPhenomenology and Mind, Iss 14 (2018) |
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EN FR IT |
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aesthetics embodied simulation images neuroscience Aesthetics BH1-301 Ethics BJ1-1725 |
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aesthetics embodied simulation images neuroscience Aesthetics BH1-301 Ethics BJ1-1725 Vittorio Gallese The problem of images: A view from the brain-body |
description |
Why do humans create images and what are their features that make them special? How are image-making and the uses of images related? What is the purpose of images? The “problem of images” is addressed through the lens of contemporary neuroscience, arguing why and how neuroscience can investigate our relationship with art and aesthetics, framing this empirical approach as “experimental aesthetics.” Recent discoveries are presented that changed our ideas about perception, action, and cognition and the relationship among them, allowing a new look—complementary to the humanistic approach—at the problem of images. A new model of perception and cognition is proposed, called embodied simulation, which reveals the constitutive relationship between brain-body and the reception of human creative expressions. |
format |
article |
author |
Vittorio Gallese |
author_facet |
Vittorio Gallese |
author_sort |
Vittorio Gallese |
title |
The problem of images: A view from the brain-body |
title_short |
The problem of images: A view from the brain-body |
title_full |
The problem of images: A view from the brain-body |
title_fullStr |
The problem of images: A view from the brain-body |
title_full_unstemmed |
The problem of images: A view from the brain-body |
title_sort |
problem of images: a view from the brain-body |
publisher |
Rosenberg & Sellier |
publishDate |
2018 |
url |
https://doaj.org/article/c460ff070715483da4c8895e22935368 |
work_keys_str_mv |
AT vittoriogallese theproblemofimagesaviewfromthebrainbody AT vittoriogallese problemofimagesaviewfromthebrainbody |
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1718394714458161152 |