Embracing Simultaneity: The Story of Śleṣa in South Asia
This essay deals with literary works that combine two or more topics, characters, or plotlines and convey them concurrently to their respective destinations. It is based on my monograph Extreme Poetry: The South Asian Movement of Simultaneous Narration (Bronner 2010), where I discuss this phenomeno...
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Ksiegarnia Akademicka Publishing
2021
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oai:doaj.org-article:c465ac81d9ba466787ef169dd512ae352021-11-27T12:53:15ZEmbracing Simultaneity: The Story of Śleṣa in South Asia10.12797/CIS.15.2013.15.081732-09172449-8696https://doaj.org/article/c465ac81d9ba466787ef169dd512ae352021-08-01T00:00:00Zhttps://journals.akademicka.pl/cis/article/view/1549https://doaj.org/toc/1732-0917https://doaj.org/toc/2449-8696 This essay deals with literary works that combine two or more topics, characters, or plotlines and convey them concurrently to their respective destinations. It is based on my monograph Extreme Poetry: The South Asian Movement of Simultaneous Narration (Bronner 2010), where I discuss this phenomenon at length. Here I will limit myself briefly to presenting three main points: that the dimensions of the śleṣa phenomenon in South Asia are enormous, that experiments with artistic simultaneity have a demonstrable and meaningful history, and that this is the history of a self-conscious literary movement. I conclude with three brief examples of śleṣa verses from three very different works that exemplify some of the poetic uses to which śleṣa was put and that demonstrate how the literary movement under discussion used śleṣa to advance the aesthetic projects of South Asian culture and push them to the extreme. Yigal BronnerKsiegarnia Akademicka PublishingarticleśleṣapolysemysimultaneityKavirājaSubandhuNītivarmanIndo-Iranian languages and literaturePK1-9601Languages and literature of Eastern Asia, Africa, OceaniaPL1-8844ENCracow Indological Studies, Vol 15 (2021) |
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śleṣa polysemy simultaneity Kavirāja Subandhu Nītivarman Indo-Iranian languages and literature PK1-9601 Languages and literature of Eastern Asia, Africa, Oceania PL1-8844 |
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śleṣa polysemy simultaneity Kavirāja Subandhu Nītivarman Indo-Iranian languages and literature PK1-9601 Languages and literature of Eastern Asia, Africa, Oceania PL1-8844 Yigal Bronner Embracing Simultaneity: The Story of Śleṣa in South Asia |
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This essay deals with literary works that combine two or more topics, characters, or plotlines and convey them concurrently to their respective destinations. It is based on my monograph Extreme Poetry: The South Asian Movement of Simultaneous Narration (Bronner 2010), where I discuss this phenomenon at length. Here I will limit myself briefly to presenting three main points: that the dimensions of the śleṣa phenomenon in South Asia are enormous, that experiments with artistic simultaneity have a demonstrable and meaningful history, and that this is the history of a self-conscious literary movement. I conclude with three brief examples of śleṣa verses from three very different works that exemplify some of the poetic uses to which śleṣa was put and that demonstrate how the literary movement under discussion used śleṣa to advance the aesthetic projects of South Asian culture and push them to the extreme.
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format |
article |
author |
Yigal Bronner |
author_facet |
Yigal Bronner |
author_sort |
Yigal Bronner |
title |
Embracing Simultaneity: The Story of Śleṣa in South Asia |
title_short |
Embracing Simultaneity: The Story of Śleṣa in South Asia |
title_full |
Embracing Simultaneity: The Story of Śleṣa in South Asia |
title_fullStr |
Embracing Simultaneity: The Story of Śleṣa in South Asia |
title_full_unstemmed |
Embracing Simultaneity: The Story of Śleṣa in South Asia |
title_sort |
embracing simultaneity: the story of śleṣa in south asia |
publisher |
Ksiegarnia Akademicka Publishing |
publishDate |
2021 |
url |
https://doaj.org/article/c465ac81d9ba466787ef169dd512ae35 |
work_keys_str_mv |
AT yigalbronner embracingsimultaneitythestoryofslesainsouthasia |
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1718409010548310016 |