Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior
This article aims to analyze the strategies employed by Brazilian rock bands with regard to touring abroad from an entrepreneurship perspective (Schumpeter, 1982; Timmons, 1985; Dornelas, 2007), in order to understand how the formation of an international au- dience occurs. In this conte...
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2017
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oai:doaj.org-article:c55e3f171d1641629ca3eecb814bd1302021-11-11T15:42:01ZTurnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior2177-6229https://doaj.org/article/c55e3f171d1641629ca3eecb814bd1302017-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93854911007https://doaj.org/toc/2177-6229This article aims to analyze the strategies employed by Brazilian rock bands with regard to touring abroad from an entrepreneurship perspective (Schumpeter, 1982; Timmons, 1985; Dornelas, 2007), in order to understand how the formation of an international au- dience occurs. In this context, we seek to discuss the concept of “independent musician” and introduce the notion of “entrepreneurial musician”. The methodology used involved bibliographical revision, interviews with a musician from the band Autoramas, as well as monitoring of social networks and the press in matters related to the tours of such group.Luiza BittencourtUniversidade do Vale do Rio dos Sinos (UNISINOS)articleentrepreneurshipmusicrockSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 53, Iss 3, Pp 459-466 (2017) |
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entrepreneurship music rock Social Sciences H Social sciences (General) H1-99 |
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entrepreneurship music rock Social Sciences H Social sciences (General) H1-99 Luiza Bittencourt Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior |
description |
This article aims to analyze the strategies employed by Brazilian rock bands with regard to touring abroad from an entrepreneurship perspective (Schumpeter, 1982; Timmons, 1985; Dornelas, 2007), in order to understand how the formation of an international au- dience occurs. In this context, we seek to discuss the concept of “independent musician” and introduce the notion of “entrepreneurial musician”. The methodology used involved bibliographical revision, interviews with a musician from the band Autoramas, as well as monitoring of social networks and the press in matters related to the tours of such group. |
format |
article |
author |
Luiza Bittencourt |
author_facet |
Luiza Bittencourt |
author_sort |
Luiza Bittencourt |
title |
Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior |
title_short |
Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior |
title_full |
Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior |
title_fullStr |
Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior |
title_full_unstemmed |
Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior |
title_sort |
turnês de guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior |
publisher |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
publishDate |
2017 |
url |
https://doaj.org/article/c55e3f171d1641629ca3eecb814bd130 |
work_keys_str_mv |
AT luizabittencourt turnesdeguerrilhaasestrategiasdeempreendedorismomusicalnoscircuitosdorocknoexterior |
_version_ |
1718434115305340928 |