THE ICONOGRAPHIC ANALYSIS OF THE EMBELLISHMENTS, MADE WITH PRESSURE RELIEF TECHNIQUE, ON TWO STORAGE JARS IN KARS MUSEUM DATED TO GREAT SELJUKS ERA

Great Seljuks established a great empire in a very short time by appearing in Iran-based stage of history at the end of X century. The Seljuks, who created a brand new style under the name of “Seljuk Style” by combining the Pre-Islamic Turkish art traditions with the local art in the region where th...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Yusuf ÇETİN
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	ceramic figural decoration great seljuk iconography ani Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/c59e5c3fdf6d4df89a1da343cde1b94c
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:c59e5c3fdf6d4df89a1da343cde1b94c
record_format	dspace
spelling	oai:doaj.org-article:c59e5c3fdf6d4df89a1da343cde1b94c2021-11-24T09:20:46ZTHE ICONOGRAPHIC ANALYSIS OF THE EMBELLISHMENTS, MADE WITH PRESSURE RELIEF TECHNIQUE, ON TWO STORAGE JARS IN KARS MUSEUM DATED TO GREAT SELJUKS ERA2148-416310.9761/JASSS6967https://doaj.org/article/c59e5c3fdf6d4df89a1da343cde1b94c2019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=496511781_21-Prof.%20Dr.%20Yusuf%20%C3%87etin.pdf&key=28237https://doaj.org/toc/2148-4163Great Seljuks established a great empire in a very short time by appearing in Iran-based stage of history at the end of X century. The Seljuks, who created a brand new style under the name of “Seljuk Style” by combining the Pre-Islamic Turkish art traditions with the local art in the region where they expanded, created a sense of art which would last for centuries by spreading this style through every corner of Islamic geography. Figure-ornamented ceramics and tiles constitute one of the fields in which this style which show many characteristics in several art fields can be best observed. 48 km from the city centre of Kars, located in the eastern border of Turkey by Arpaçay stand, a medieval settlement Ani has become one of the prominent culture-art centres of Medieval Turkic-Islamic art via its walls, palace, mosques and civil architecture structures after its conquest by the Great Seljuk Sultan Alpaslan in 1064. In Ani archaeological excavation which was first displayed in 1965 and second in 2008 at Kars Museum, two unglazed ceramic storage jars with red and grey earthenware and a red slip, which were found in the layers from Turkic period and dated to XII-XIII century Seljuk period, attract attention for the embellishments on them. On the waists of the storage jars, interrelated animals around the jars in a line, human figures and various symbols, which are made by pressure relief technique, are repeatedly depicted in a stage flow. When examined, the formal characteristics and iconographic analysis of these embellishments, whose source traces to Pre-Islamic Middle Asian Turkic art periods, while unfold a prosperous and mystic world on one hand, make up significant hints about the relation between Pre-Islamic Middle Asian Turkic art and Post-Islamic Turkic art, on the other.Yusuf ÇETİNFırat Universityarticleceramicfigural decorationgreat seljukiconographyaniSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 10, Iss 57, Pp 383-394 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	ceramic figural decoration great seljuk iconography ani Social Sciences H Social sciences (General) H1-99
spellingShingle	ceramic figural decoration great seljuk iconography ani Social Sciences H Social sciences (General) H1-99 Yusuf ÇETİN THE ICONOGRAPHIC ANALYSIS OF THE EMBELLISHMENTS, MADE WITH PRESSURE RELIEF TECHNIQUE, ON TWO STORAGE JARS IN KARS MUSEUM DATED TO GREAT SELJUKS ERA
description	Great Seljuks established a great empire in a very short time by appearing in Iran-based stage of history at the end of X century. The Seljuks, who created a brand new style under the name of “Seljuk Style” by combining the Pre-Islamic Turkish art traditions with the local art in the region where they expanded, created a sense of art which would last for centuries by spreading this style through every corner of Islamic geography. Figure-ornamented ceramics and tiles constitute one of the fields in which this style which show many characteristics in several art fields can be best observed. 48 km from the city centre of Kars, located in the eastern border of Turkey by Arpaçay stand, a medieval settlement Ani has become one of the prominent culture-art centres of Medieval Turkic-Islamic art via its walls, palace, mosques and civil architecture structures after its conquest by the Great Seljuk Sultan Alpaslan in 1064. In Ani archaeological excavation which was first displayed in 1965 and second in 2008 at Kars Museum, two unglazed ceramic storage jars with red and grey earthenware and a red slip, which were found in the layers from Turkic period and dated to XII-XIII century Seljuk period, attract attention for the embellishments on them. On the waists of the storage jars, interrelated animals around the jars in a line, human figures and various symbols, which are made by pressure relief technique, are repeatedly depicted in a stage flow. When examined, the formal characteristics and iconographic analysis of these embellishments, whose source traces to Pre-Islamic Middle Asian Turkic art periods, while unfold a prosperous and mystic world on one hand, make up significant hints about the relation between Pre-Islamic Middle Asian Turkic art and Post-Islamic Turkic art, on the other.
format	article
author	Yusuf ÇETİN
author_facet	Yusuf ÇETİN
author_sort	Yusuf ÇETİN
title	THE ICONOGRAPHIC ANALYSIS OF THE EMBELLISHMENTS, MADE WITH PRESSURE RELIEF TECHNIQUE, ON TWO STORAGE JARS IN KARS MUSEUM DATED TO GREAT SELJUKS ERA
title_short	THE ICONOGRAPHIC ANALYSIS OF THE EMBELLISHMENTS, MADE WITH PRESSURE RELIEF TECHNIQUE, ON TWO STORAGE JARS IN KARS MUSEUM DATED TO GREAT SELJUKS ERA
title_full	THE ICONOGRAPHIC ANALYSIS OF THE EMBELLISHMENTS, MADE WITH PRESSURE RELIEF TECHNIQUE, ON TWO STORAGE JARS IN KARS MUSEUM DATED TO GREAT SELJUKS ERA
title_fullStr	THE ICONOGRAPHIC ANALYSIS OF THE EMBELLISHMENTS, MADE WITH PRESSURE RELIEF TECHNIQUE, ON TWO STORAGE JARS IN KARS MUSEUM DATED TO GREAT SELJUKS ERA
title_full_unstemmed	THE ICONOGRAPHIC ANALYSIS OF THE EMBELLISHMENTS, MADE WITH PRESSURE RELIEF TECHNIQUE, ON TWO STORAGE JARS IN KARS MUSEUM DATED TO GREAT SELJUKS ERA
title_sort	iconographic analysis of the embellishments, made with pressure relief technique, on two storage jars in kars museum dated to great seljuks era
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/c59e5c3fdf6d4df89a1da343cde1b94c
work_keys_str_mv	AT yusufcetin theiconographicanalysisoftheembellishmentsmadewithpressurerelieftechniqueontwostoragejarsinkarsmuseumdatedtogreatseljuksera AT yusufcetin iconographicanalysisoftheembellishmentsmadewithpressurerelieftechniqueontwostoragejarsinkarsmuseumdatedtogreatseljuksera
_version_	1718415572788576256

THE ICONOGRAPHIC ANALYSIS OF THE EMBELLISHMENTS, MADE WITH PRESSURE RELIEF TECHNIQUE, ON TWO STORAGE JARS IN KARS MUSEUM DATED TO GREAT SELJUKS ERA

Ejemplares similares