Chantal Akerman y el espíritu de los setenta
This article studies the cinematographic career of Chantal Akerman by placing it within the feminist context of the seventies. In fact,Jeanne Dielman, for instance, was described by Le Monde (January 1976) as “the first masterpiece in the feminine in the history of the representational status of a w...
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| Auteurs principaux: | , |
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| Format: | article |
| Langue: | CA EN ES EU FR GL IT PT |
| Publié: |
Universitat de Barcelona
2001
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| Accès en ligne: | https://doaj.org/article/c5d7218d9bd247b99f85f72e76de565b |
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