Russian Literary Classics (“The Power of the Earth” by G. I. Uspensky and “Bezhin Meadow” by I. S. Turgenev) in the Context of the Social Themes of Soviet Cinema of the 1930s

The article discusses the influence of the poetics of Russian literary classics of the 19th century on Soviet cinema of the 1930s, the collectivization of which was an acute social theme. It is emphasized that the visualization of the “dilapidated” village, against which the conflict unfolded in the...

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Autores principales:	T. V. Dyachuk, O. V. Evdokimova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2019
Materias:	«власть земли» «бежин луг»» g. i. uspensky “power of the earth” i. s. turgenev “bezhin meadow” a. p. dovzhenko a. g. rzheshevsky s. m. eisenstein Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/c691cdb31e09473cbac0924539c75d14
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spelling	oai:doaj.org-article:c691cdb31e09473cbac0924539c75d142021-12-02T07:58:09ZRussian Literary Classics (“The Power of the Earth” by G. I. Uspensky and “Bezhin Meadow” by I. S. Turgenev) in the Context of the Social Themes of Soviet Cinema of the 1930s2225-756X2227-129510.24224/2227-1295-2019-11-131-143https://doaj.org/article/c691cdb31e09473cbac0924539c75d142019-11-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1440https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article discusses the influence of the poetics of Russian literary classics of the 19th century on Soviet cinema of the 1930s, the collectivization of which was an acute social theme. It is emphasized that the visualization of the “dilapidated” village, against which the conflict unfolded in the films of A. P. Dovzhenko, “Earth” (1930) and “Bezhin Meadow” by S. M. Eisenstein (1935-1937), required aesthetically convincing artistic images that Soviet filmmakers found in the works of Uspensky and Turgenev. It is proved that the universal meanings of the classic literary work provided a high degree of artistic generalization, without which it would be impossible to create a socialist myth of a bright future. It is alleged that allusions to the “power of the earth” formulated by the Assumption mythology have expanded the image in the film “Earth”, where the struggle with the fists appeared as one of the episodes in the universal plot about the principle of being. The function of quotes from Turgenev’s Bezhina Meadows is commented on: they translated the collision of the collective farm drama in the film of Rzheshevsky-Eisenstein into the category of mysteries about the resurrection. The authors of the article come to the conclusion that contact with cinema revealed a common feature of Russian classics - the presence of a mystery plot plan that ensures the integrity of Russian culture with a sharp ideological opposition of its creators.T. V. DyachukO. V. EvdokimovaTsentr nauchnykh i obrazovatelnykh proektovarticle«власть земли»«бежин луг»»g. i. uspensky“power of the earth”i. s. turgenev“bezhin meadow”a. p. dovzhenkoa. g. rzheshevskys. m. eisensteinSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 11, Pp 131-143 (2019)
institution	DOAJ
collection	DOAJ
language	RU
topic	«власть земли» «бежин луг»» g. i. uspensky “power of the earth” i. s. turgenev “bezhin meadow” a. p. dovzhenko a. g. rzheshevsky s. m. eisenstein Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	«власть земли» «бежин луг»» g. i. uspensky “power of the earth” i. s. turgenev “bezhin meadow” a. p. dovzhenko a. g. rzheshevsky s. m. eisenstein Slavic languages. Baltic languages. Albanian languages PG1-9665 T. V. Dyachuk O. V. Evdokimova Russian Literary Classics (“The Power of the Earth” by G. I. Uspensky and “Bezhin Meadow” by I. S. Turgenev) in the Context of the Social Themes of Soviet Cinema of the 1930s
description	The article discusses the influence of the poetics of Russian literary classics of the 19th century on Soviet cinema of the 1930s, the collectivization of which was an acute social theme. It is emphasized that the visualization of the “dilapidated” village, against which the conflict unfolded in the films of A. P. Dovzhenko, “Earth” (1930) and “Bezhin Meadow” by S. M. Eisenstein (1935-1937), required aesthetically convincing artistic images that Soviet filmmakers found in the works of Uspensky and Turgenev. It is proved that the universal meanings of the classic literary work provided a high degree of artistic generalization, without which it would be impossible to create a socialist myth of a bright future. It is alleged that allusions to the “power of the earth” formulated by the Assumption mythology have expanded the image in the film “Earth”, where the struggle with the fists appeared as one of the episodes in the universal plot about the principle of being. The function of quotes from Turgenev’s Bezhina Meadows is commented on: they translated the collision of the collective farm drama in the film of Rzheshevsky-Eisenstein into the category of mysteries about the resurrection. The authors of the article come to the conclusion that contact with cinema revealed a common feature of Russian classics - the presence of a mystery plot plan that ensures the integrity of Russian culture with a sharp ideological opposition of its creators.
format	article
author	T. V. Dyachuk O. V. Evdokimova
author_facet	T. V. Dyachuk O. V. Evdokimova
author_sort	T. V. Dyachuk
title	Russian Literary Classics (“The Power of the Earth” by G. I. Uspensky and “Bezhin Meadow” by I. S. Turgenev) in the Context of the Social Themes of Soviet Cinema of the 1930s
title_short	Russian Literary Classics (“The Power of the Earth” by G. I. Uspensky and “Bezhin Meadow” by I. S. Turgenev) in the Context of the Social Themes of Soviet Cinema of the 1930s
title_full	Russian Literary Classics (“The Power of the Earth” by G. I. Uspensky and “Bezhin Meadow” by I. S. Turgenev) in the Context of the Social Themes of Soviet Cinema of the 1930s
title_fullStr	Russian Literary Classics (“The Power of the Earth” by G. I. Uspensky and “Bezhin Meadow” by I. S. Turgenev) in the Context of the Social Themes of Soviet Cinema of the 1930s
title_full_unstemmed	Russian Literary Classics (“The Power of the Earth” by G. I. Uspensky and “Bezhin Meadow” by I. S. Turgenev) in the Context of the Social Themes of Soviet Cinema of the 1930s
title_sort	russian literary classics (“the power of the earth” by g. i. uspensky and “bezhin meadow” by i. s. turgenev) in the context of the social themes of soviet cinema of the 1930s
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2019
url	https://doaj.org/article/c691cdb31e09473cbac0924539c75d14
work_keys_str_mv	AT tvdyachuk russianliteraryclassicsthepoweroftheearthbygiuspenskyandbezhinmeadowbyisturgenevinthecontextofthesocialthemesofsovietcinemaofthe1930s AT ovevdokimova russianliteraryclassicsthepoweroftheearthbygiuspenskyandbezhinmeadowbyisturgenevinthecontextofthesocialthemesofsovietcinemaofthe1930s
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Russian Literary Classics (“The Power of the Earth” by G. I. Uspensky and “Bezhin Meadow” by I. S. Turgenev) in the Context of the Social Themes of Soviet Cinema of the 1930s

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