The Spatial Experience of Musical Sources: Two Case Studies

When listening to specific musical compositions in which physical space is employed with an aesthetic role, we can hear sound sources` spatial properties in the same way as we do it in the case of environmental sound sources. In this essay, I will expand the application of a model for the spatial ex...

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Autor principal:	Elvira Di Bona
Formato:	article
Lenguaje:	EN FR IT
Publicado:	Rosenberg & Sellier 2018
Materias:	musical sound environmental sound spatial perception music Aesthetics BH1-301 Ethics BJ1-1725
Acceso en línea:	https://doaj.org/article/c70205010da54ce7aa2408aba39e3cdf
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id	oai:doaj.org-article:c70205010da54ce7aa2408aba39e3cdf
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spelling	oai:doaj.org-article:c70205010da54ce7aa2408aba39e3cdf2021-12-02T10:11:06ZThe Spatial Experience of Musical Sources: Two Case Studies10.13128/Phe_Mi-236682280-78532239-4028https://doaj.org/article/c70205010da54ce7aa2408aba39e3cdf2018-09-01T00:00:00Zhttps://oaj.fupress.net/index.php/pam/article/view/7316https://doaj.org/toc/2280-7853https://doaj.org/toc/2239-4028When listening to specific musical compositions in which physical space is employed with an aesthetic role, we can hear sound sources` spatial properties in the same way as we do it in the case of environmental sound sources. In this essay, I will expand the application of a model for the spatial experience of sound sources to the experience of listening to the musical sound sources of two musical compositions by the Italian composer Luigi Nono. In order to do that, I will briefly summarize how we experience sound sources` spatial properties in the case of environmental sounds; I will then mention the different kinds of physical space which we might be able to hear in the case of musical listening, and I will finally analyze Luigi Nono’s “Hay Que Caminar” Soñando (1989) for two violins and La Lontananza Nostalgica Utopica Futura (1988) for solo violin and 8-track tape to show how the model of the experience of environmental sound sources applies also to these musical cases.Elvira Di BonaRosenberg & Sellierarticlemusical soundenvironmental soundspatial perceptionmusicAestheticsBH1-301EthicsBJ1-1725ENFRITPhenomenology and Mind, Iss 14 (2018)
institution	DOAJ
collection	DOAJ
language	EN FR IT
topic	musical sound environmental sound spatial perception music Aesthetics BH1-301 Ethics BJ1-1725
spellingShingle	musical sound environmental sound spatial perception music Aesthetics BH1-301 Ethics BJ1-1725 Elvira Di Bona The Spatial Experience of Musical Sources: Two Case Studies
description	When listening to specific musical compositions in which physical space is employed with an aesthetic role, we can hear sound sources` spatial properties in the same way as we do it in the case of environmental sound sources. In this essay, I will expand the application of a model for the spatial experience of sound sources to the experience of listening to the musical sound sources of two musical compositions by the Italian composer Luigi Nono. In order to do that, I will briefly summarize how we experience sound sources` spatial properties in the case of environmental sounds; I will then mention the different kinds of physical space which we might be able to hear in the case of musical listening, and I will finally analyze Luigi Nono’s “Hay Que Caminar” Soñando (1989) for two violins and La Lontananza Nostalgica Utopica Futura (1988) for solo violin and 8-track tape to show how the model of the experience of environmental sound sources applies also to these musical cases.
format	article
author	Elvira Di Bona
author_facet	Elvira Di Bona
author_sort	Elvira Di Bona
title	The Spatial Experience of Musical Sources: Two Case Studies
title_short	The Spatial Experience of Musical Sources: Two Case Studies
title_full	The Spatial Experience of Musical Sources: Two Case Studies
title_fullStr	The Spatial Experience of Musical Sources: Two Case Studies
title_full_unstemmed	The Spatial Experience of Musical Sources: Two Case Studies
title_sort	spatial experience of musical sources: two case studies
publisher	Rosenberg & Sellier
publishDate	2018
url	https://doaj.org/article/c70205010da54ce7aa2408aba39e3cdf
work_keys_str_mv	AT elviradibona thespatialexperienceofmusicalsourcestwocasestudies AT elviradibona spatialexperienceofmusicalsourcestwocasestudies
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The Spatial Experience of Musical Sources: Two Case Studies

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