La Sonorité du vide
This article re-evaluates the status of sound in accessing the individual and intimate life in the worlds of migrants. It asks for the reasons why sound is mobilized by migrants in a privileged way in order to make audible their multifaceted affective and emotional states. This article is based on e...
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Université de Provence
2018
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oai:doaj.org-article:c7222e588e234e7eafa028eb5d0947782021-12-02T10:06:30ZLa Sonorité du vide0997-13272105-227110.4000/remmm.11804https://doaj.org/article/c7222e588e234e7eafa028eb5d0947782018-11-01T00:00:00Zhttp://journals.openedition.org/remmm/11804https://doaj.org/toc/0997-1327https://doaj.org/toc/2105-2271This article re-evaluates the status of sound in accessing the individual and intimate life in the worlds of migrants. It asks for the reasons why sound is mobilized by migrants in a privileged way in order to make audible their multifaceted affective and emotional states. This article is based on ethnographic collaborative fieldwork both in South Albania - in native communities affected by waves of migration - and in a refugee reception center in central Germany. The article discusses as well the productive interrelation between sound and silence as two specific forms of a cultural reaction towards uprooting. The refugee camp is presented in this context as an emerging ethnographic site in constant reconfiguration - a fact which requires a new form of humanist and engaged musicological research, which will in the long-term transform our practices and experiences as researchers.Eckehard PistrickUniversité de ProvencearticlemigrationAlbaniarefugee campethnomusicologyHistory of AfricaDT1-3415Social sciences (General)H1-99ENFRRevue des Mondes Musulmans et de la Méditerranée, Vol 144, Pp 61-80 (2018) |
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migration Albania refugee camp ethnomusicology History of Africa DT1-3415 Social sciences (General) H1-99 |
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migration Albania refugee camp ethnomusicology History of Africa DT1-3415 Social sciences (General) H1-99 Eckehard Pistrick La Sonorité du vide |
description |
This article re-evaluates the status of sound in accessing the individual and intimate life in the worlds of migrants. It asks for the reasons why sound is mobilized by migrants in a privileged way in order to make audible their multifaceted affective and emotional states. This article is based on ethnographic collaborative fieldwork both in South Albania - in native communities affected by waves of migration - and in a refugee reception center in central Germany. The article discusses as well the productive interrelation between sound and silence as two specific forms of a cultural reaction towards uprooting. The refugee camp is presented in this context as an emerging ethnographic site in constant reconfiguration - a fact which requires a new form of humanist and engaged musicological research, which will in the long-term transform our practices and experiences as researchers. |
format |
article |
author |
Eckehard Pistrick |
author_facet |
Eckehard Pistrick |
author_sort |
Eckehard Pistrick |
title |
La Sonorité du vide |
title_short |
La Sonorité du vide |
title_full |
La Sonorité du vide |
title_fullStr |
La Sonorité du vide |
title_full_unstemmed |
La Sonorité du vide |
title_sort |
la sonorité du vide |
publisher |
Université de Provence |
publishDate |
2018 |
url |
https://doaj.org/article/c7222e588e234e7eafa028eb5d094778 |
work_keys_str_mv |
AT eckehardpistrick lasonoriteduvide |
_version_ |
1718397657889636352 |