Turbotronic: Case Study of Lenhart Tapes and Mirjana Raić

Turbotronic has been a trend in the Serbian popular music since 2010, when Lenhart had his first performance at Improstor in Novi Sad. Continuing with his work, an entire circle of audience has been created around Lenhart, as well as other artists who deal with a certain kind of improvisation of mu...

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Autor principal:	Miloš Rašić
Formato:	article
Lenguaje:	EN FR SR
Publicado:	University of Belgrade 2021
Materias:	turbotronic improvisation Lenhart Tapes Mirjana Raić Anthropology GN1-890
Acceso en línea:	https://doaj.org/article/c786ae35b8cd4ebeaf520157ab88b67c
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id	oai:doaj.org-article:c786ae35b8cd4ebeaf520157ab88b67c
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spelling	oai:doaj.org-article:c786ae35b8cd4ebeaf520157ab88b67c2021-11-25T19:19:35ZTurbotronic: Case Study of Lenhart Tapes and Mirjana Raić0353-15892334-8801https://doaj.org/article/c786ae35b8cd4ebeaf520157ab88b67c2021-11-01T00:00:00Zhttps://eap-iea.org/index.php/eap/article/view/238https://doaj.org/toc/0353-1589https://doaj.org/toc/2334-8801 Turbotronic has been a trend in the Serbian popular music since 2010, when Lenhart had his first performance at Improstor in Novi Sad. Continuing with his work, an entire circle of audience has been created around Lenhart, as well as other artists who deal with a certain kind of improvisation of music. This direction gets the name Turbotronic, somehow unplanned, according to the same name reportage of the Vice Portal. Nowadays Turbotronic includes several different groups dealing with the mixing of various music genres - from rap, through pop, to turbo-folk. However, Lenhart Tapes is a founder and a key figure in turbotronic. Lenhart is a musician who deals with the mixing of various audio content from an audio cassette tape. Since 2014, Lenhart has begun cooperating with Mirjana Raić, who joins him primarily by singing traditional music in his compositions. So far, Lenhart and Mirjana recorded around ten songs and had several joint appearances. In this paper I have several goals. Primarily, I will present the development and key features of Turbotronic as an alternative music genre. Then, my further analysis will be directed to mentioned individuals - Vladimir Lenhart (Lenhart Tapes) and Mirjana Raić. Through the concepts of musical biography, musical legacy, improvisation and construction of socio-cultural otherness with music, which I will consider primarily thoroughly, my key goal is to decode the message that these artists send to the wider audience through their music. The paper is based on the data derived from interviews I conducted with Lenhart and Mirjana on several occasions, but also on personal observation and participation in their rehearsals and concerts. Miloš RašićUniversity of BelgradearticleturbotronicimprovisationLenhart TapesMirjana RaićAnthropologyGN1-890ENFRSREtnoantropološki Problemi, Vol 13, Iss 4 (2021)
institution	DOAJ
collection	DOAJ
language	EN FR SR
topic	turbotronic improvisation Lenhart Tapes Mirjana Raić Anthropology GN1-890
spellingShingle	turbotronic improvisation Lenhart Tapes Mirjana Raić Anthropology GN1-890 Miloš Rašić Turbotronic: Case Study of Lenhart Tapes and Mirjana Raić
description	Turbotronic has been a trend in the Serbian popular music since 2010, when Lenhart had his first performance at Improstor in Novi Sad. Continuing with his work, an entire circle of audience has been created around Lenhart, as well as other artists who deal with a certain kind of improvisation of music. This direction gets the name Turbotronic, somehow unplanned, according to the same name reportage of the Vice Portal. Nowadays Turbotronic includes several different groups dealing with the mixing of various music genres - from rap, through pop, to turbo-folk. However, Lenhart Tapes is a founder and a key figure in turbotronic. Lenhart is a musician who deals with the mixing of various audio content from an audio cassette tape. Since 2014, Lenhart has begun cooperating with Mirjana Raić, who joins him primarily by singing traditional music in his compositions. So far, Lenhart and Mirjana recorded around ten songs and had several joint appearances. In this paper I have several goals. Primarily, I will present the development and key features of Turbotronic as an alternative music genre. Then, my further analysis will be directed to mentioned individuals - Vladimir Lenhart (Lenhart Tapes) and Mirjana Raić. Through the concepts of musical biography, musical legacy, improvisation and construction of socio-cultural otherness with music, which I will consider primarily thoroughly, my key goal is to decode the message that these artists send to the wider audience through their music. The paper is based on the data derived from interviews I conducted with Lenhart and Mirjana on several occasions, but also on personal observation and participation in their rehearsals and concerts.
format	article
author	Miloš Rašić
author_facet	Miloš Rašić
author_sort	Miloš Rašić
title	Turbotronic: Case Study of Lenhart Tapes and Mirjana Raić
title_short	Turbotronic: Case Study of Lenhart Tapes and Mirjana Raić
title_full	Turbotronic: Case Study of Lenhart Tapes and Mirjana Raić
title_fullStr	Turbotronic: Case Study of Lenhart Tapes and Mirjana Raić
title_full_unstemmed	Turbotronic: Case Study of Lenhart Tapes and Mirjana Raić
title_sort	turbotronic: case study of lenhart tapes and mirjana raić
publisher	University of Belgrade
publishDate	2021
url	https://doaj.org/article/c786ae35b8cd4ebeaf520157ab88b67c
work_keys_str_mv	AT milosrasic turbotroniccasestudyoflenharttapesandmirjanaraic
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Turbotronic: Case Study of Lenhart Tapes and Mirjana Raić

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