Napoléon Arlequin ou la métaphore théâtrale
In 1814 a close link was established between Napoleon and popular theatre forms as a way of reinforcing his lack of authenticity. Commentators such as Nodier rejected popular theatre as being for the ears and eyes only, a spectacle that offers only 'lukewarm and common emotions', in other...
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| Formato: | article |
| Lenguaje: | FR |
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Seminario di filologia francese
2021
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| Acceso en línea: | https://doaj.org/article/c81aa01c00394dd787bbbdb7e1e48fa7 |
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