Color Visualization of the Artistic Image as a Feature of G. R. Derzhavin’s Creative Method

The relevance of the problem is associated with the need to clarify the features of the creative method of G. R. Derzhavin. The novelty of the study is in the presentation of the colouristic polyphonism of Derzhavin’s poetics as a means of visualizing an artistic image. The article discusses the pec...

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Autor principal:	K. A. Potashova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2019
Materias:	g. r. derzhavin artistic image visualization picturesqueness synthesis of arts colour realism epithet Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/c8463bbab02b4bea957f37b9822557ac
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id	oai:doaj.org-article:c8463bbab02b4bea957f37b9822557ac
record_format	dspace
spelling	oai:doaj.org-article:c8463bbab02b4bea957f37b9822557ac2021-12-02T07:58:09ZColor Visualization of the Artistic Image as a Feature of G. R. Derzhavin’s Creative Method2225-756X2227-129510.24224/2227-1295-2019-11-199-214https://doaj.org/article/c8463bbab02b4bea957f37b9822557ac2019-11-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1446https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The relevance of the problem is associated with the need to clarify the features of the creative method of G. R. Derzhavin. The novelty of the study is in the presentation of the colouristic polyphonism of Derzhavin’s poetics as a means of visualizing an artistic image. The article discusses the peculiarities of colour and black-and-white solutions of verbal portraits and landscapes in Derzhavin’s poetry, defines the technique for attracting pictorial elements into the poetics of the text, outlines a peculiar manner of Derzhavin’s vision related to the perception of the contemplated world as a picture. It is shown that Derzhavin, following his poetic doctrine that “poetry is speaking painting”, brings to the literature the techniques of visual art: the principle of color contrast, the reconstruction of a light-air perspective, the observance of the chosen colour palette. The article identifies the mechanisms of verbal colour transmission. It is proved that Derzhavin’s colour is represented in an abundance of semantic shades transmitted through complex colouristic epithets. Conclusions are drawn that, perceiving wildlife as an aesthetic object, Derzhavin represents the enormity of the universe in an abundance of variously coloured minute details. It is argued that the colours in Derzhavin’s poetry constitute a matrix of meanings. The dominance of the poetics of colour objectivity in Derzhavin’s work allows us to talk about colour realism as the basis of the poet’s artistic method.K. A. PotashovaTsentr nauchnykh i obrazovatelnykh proektovarticleg. r. derzhavinartistic imagevisualizationpicturesquenesssynthesis of artscolour realismepithetSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 11, Pp 199-214 (2019)
institution	DOAJ
collection	DOAJ
language	RU
topic	g. r. derzhavin artistic image visualization picturesqueness synthesis of arts colour realism epithet Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	g. r. derzhavin artistic image visualization picturesqueness synthesis of arts colour realism epithet Slavic languages. Baltic languages. Albanian languages PG1-9665 K. A. Potashova Color Visualization of the Artistic Image as a Feature of G. R. Derzhavin’s Creative Method
description	The relevance of the problem is associated with the need to clarify the features of the creative method of G. R. Derzhavin. The novelty of the study is in the presentation of the colouristic polyphonism of Derzhavin’s poetics as a means of visualizing an artistic image. The article discusses the peculiarities of colour and black-and-white solutions of verbal portraits and landscapes in Derzhavin’s poetry, defines the technique for attracting pictorial elements into the poetics of the text, outlines a peculiar manner of Derzhavin’s vision related to the perception of the contemplated world as a picture. It is shown that Derzhavin, following his poetic doctrine that “poetry is speaking painting”, brings to the literature the techniques of visual art: the principle of color contrast, the reconstruction of a light-air perspective, the observance of the chosen colour palette. The article identifies the mechanisms of verbal colour transmission. It is proved that Derzhavin’s colour is represented in an abundance of semantic shades transmitted through complex colouristic epithets. Conclusions are drawn that, perceiving wildlife as an aesthetic object, Derzhavin represents the enormity of the universe in an abundance of variously coloured minute details. It is argued that the colours in Derzhavin’s poetry constitute a matrix of meanings. The dominance of the poetics of colour objectivity in Derzhavin’s work allows us to talk about colour realism as the basis of the poet’s artistic method.
format	article
author	K. A. Potashova
author_facet	K. A. Potashova
author_sort	K. A. Potashova
title	Color Visualization of the Artistic Image as a Feature of G. R. Derzhavin’s Creative Method
title_short	Color Visualization of the Artistic Image as a Feature of G. R. Derzhavin’s Creative Method
title_full	Color Visualization of the Artistic Image as a Feature of G. R. Derzhavin’s Creative Method
title_fullStr	Color Visualization of the Artistic Image as a Feature of G. R. Derzhavin’s Creative Method
title_full_unstemmed	Color Visualization of the Artistic Image as a Feature of G. R. Derzhavin’s Creative Method
title_sort	color visualization of the artistic image as a feature of g. r. derzhavin’s creative method
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2019
url	https://doaj.org/article/c8463bbab02b4bea957f37b9822557ac
work_keys_str_mv	AT kapotashova colorvisualizationoftheartisticimageasafeatureofgrderzhavinscreativemethod
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Color Visualization of the Artistic Image as a Feature of G. R. Derzhavin’s Creative Method

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