Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat
The Frères Cogniard produced immensely popular vaudeville féeries in the nineteenth century and among them most popular was The White Cat (1852), which grafts two tales together by Marie-Catherine d’Aulnoy: “The White Cat” and “Belle-Belle, or the chevalier Fortuné.” The féerie foregrounds gender, c...
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2021
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oai:doaj.org-article:c8f8a14103e348e2b597d441cdfa5f502021-12-05T14:10:45ZGender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat2451-347410.1515/culture-2020-0132https://doaj.org/article/c8f8a14103e348e2b597d441cdfa5f502021-11-01T00:00:00Zhttps://doi.org/10.1515/culture-2020-0132https://doaj.org/toc/2451-3474The Frères Cogniard produced immensely popular vaudeville féeries in the nineteenth century and among them most popular was The White Cat (1852), which grafts two tales together by Marie-Catherine d’Aulnoy: “The White Cat” and “Belle-Belle, or the chevalier Fortuné.” The féerie foregrounds gender, class, human/thing, and species fluidity, which undermines hierarchies supported by dichotomies that in very similar ways privilege men over women, the upperclass over lowerclass, persons over things, and human animals over non-human animals. The essay traces these different forms of fluidity, examining the role of marvelous in general and metamorphosis in particular in problematizing normative structures of identity and revealing their arbitrary nature.Duggan Anne E.De Gruyterarticleaulnoymarie-catherine d’théodore and hippolyte cogniardgenderclassféerieSocial sciences (General)H1-99ENOpen Cultural Studies, Vol 5, Iss 1, Pp 208-220 (2021) |
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aulnoy marie-catherine d’ théodore and hippolyte cogniard gender class féerie Social sciences (General) H1-99 |
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aulnoy marie-catherine d’ théodore and hippolyte cogniard gender class féerie Social sciences (General) H1-99 Duggan Anne E. Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat |
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The Frères Cogniard produced immensely popular vaudeville féeries in the nineteenth century and among them most popular was The White Cat (1852), which grafts two tales together by Marie-Catherine d’Aulnoy: “The White Cat” and “Belle-Belle, or the chevalier Fortuné.” The féerie foregrounds gender, class, human/thing, and species fluidity, which undermines hierarchies supported by dichotomies that in very similar ways privilege men over women, the upperclass over lowerclass, persons over things, and human animals over non-human animals. The essay traces these different forms of fluidity, examining the role of marvelous in general and metamorphosis in particular in problematizing normative structures of identity and revealing their arbitrary nature. |
format |
article |
author |
Duggan Anne E. |
author_facet |
Duggan Anne E. |
author_sort |
Duggan Anne E. |
title |
Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat |
title_short |
Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat |
title_full |
Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat |
title_fullStr |
Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat |
title_full_unstemmed |
Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat |
title_sort |
gender, class, and human/non-human fluidity in théodore and hippolyte cogniards’ féerie, the white cat |
publisher |
De Gruyter |
publishDate |
2021 |
url |
https://doaj.org/article/c8f8a14103e348e2b597d441cdfa5f50 |
work_keys_str_mv |
AT dugganannee genderclassandhumannonhumanfluidityintheodoreandhippolytecogniardsfeeriethewhitecat |
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