L’émergence de l’«acteur napoléonien» au XIXe siècle
The period after the July Revolution of 1830 in France were marked by a wave of new plays about Napoleon. The popularity of these Napoleonic plays required the emergence of actors who, very quickly, became specialists in the role. This article discusses these first great “Napoleons of the theatre”,...
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Seminario di filologia francese
2021
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oai:doaj.org-article:c9ca5bba0f0d45d9a66a3919d30ecbc92021-12-02T10:08:32ZL’émergence de l’«acteur napoléonien» au XIXe siècle2240-745610.4000/rief.8299https://doaj.org/article/c9ca5bba0f0d45d9a66a3919d30ecbc92021-11-01T00:00:00Zhttp://journals.openedition.org/rief/8299https://doaj.org/toc/2240-7456The period after the July Revolution of 1830 in France were marked by a wave of new plays about Napoleon. The popularity of these Napoleonic plays required the emergence of actors who, very quickly, became specialists in the role. This article discusses these first great “Napoleons of the theatre”, who created what became a tradition and a metier inpopular French theatre. It shows how the role was performed in the two decades after 1830, as well as responses to the interpretations of Napoleon in this period. The article argues that, by bringing images and memories of Napoleon to life before the public, these actors helped tore shape the popular image of Napoleon, but also to transform him into a more cultural, historicised figure, rather than a political force in the contemporary present.Laura O’BrienSeminario di filologia francesearticleNapoleontheatreactorsFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999FRRevue Italienne d'Etudes Françaises, Vol 11 (2021) |
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DOAJ |
| collection |
DOAJ |
| language |
FR |
| topic |
Napoleon theatre actors French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
| spellingShingle |
Napoleon theatre actors French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Laura O’Brien L’émergence de l’«acteur napoléonien» au XIXe siècle |
| description |
The period after the July Revolution of 1830 in France were marked by a wave of new plays about Napoleon. The popularity of these Napoleonic plays required the emergence of actors who, very quickly, became specialists in the role. This article discusses these first great “Napoleons of the theatre”, who created what became a tradition and a metier inpopular French theatre. It shows how the role was performed in the two decades after 1830, as well as responses to the interpretations of Napoleon in this period. The article argues that, by bringing images and memories of Napoleon to life before the public, these actors helped tore shape the popular image of Napoleon, but also to transform him into a more cultural, historicised figure, rather than a political force in the contemporary present. |
| format |
article |
| author |
Laura O’Brien |
| author_facet |
Laura O’Brien |
| author_sort |
Laura O’Brien |
| title |
L’émergence de l’«acteur napoléonien» au XIXe siècle |
| title_short |
L’émergence de l’«acteur napoléonien» au XIXe siècle |
| title_full |
L’émergence de l’«acteur napoléonien» au XIXe siècle |
| title_fullStr |
L’émergence de l’«acteur napoléonien» au XIXe siècle |
| title_full_unstemmed |
L’émergence de l’«acteur napoléonien» au XIXe siècle |
| title_sort |
l’émergence de l’«acteur napoléonien» au xixe siècle |
| publisher |
Seminario di filologia francese |
| publishDate |
2021 |
| url |
https://doaj.org/article/c9ca5bba0f0d45d9a66a3919d30ecbc9 |
| work_keys_str_mv |
AT lauraobrien lemergencedelacteurnapoleonienauxixesiecle |
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1718397598000218112 |