THE POET’S PLAY: GÜLTEN AKIN’S PLAYS AS POETIC DRAMA
Gülten Akın describes her poems as “dramatically strong”. There is an interaction between her poems and plays, it is clearly recognized that there is a strong impact of her poetics on her plays, Batak, Kapılar Pencereler, Çıkış, Babilde Bir Kadın, Babil’de Bir Yusuf, Kızlar Değirmeni and Keloğlan wh...
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Fırat University
2021
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oai:doaj.org-article:cbab7c44de3641f0a3d851cafaf3f9e22021-11-24T09:20:34ZTHE POET’S PLAY: GÜLTEN AKIN’S PLAYS AS POETIC DRAMA2148-416310.29228/JASSS.40427https://doaj.org/article/cbab7c44de3641f0a3d851cafaf3f9e22021-01-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=2e186ef9-f4d3-48dd-bae2-b47fd7ea9bbe.pdf&key=40427https://doaj.org/toc/2148-4163Gülten Akın describes her poems as “dramatically strong”. There is an interaction between her poems and plays, it is clearly recognized that there is a strong impact of her poetics on her plays, Batak, Kapılar Pencereler, Çıkış, Babilde Bir Kadın, Babil’de Bir Yusuf, Kızlar Değirmeni and Keloğlan which are written between 1960-1970. There are lots of issues on these plays which are also handled in her poems. The subject and the limits of this paper determined by the question that how her plays establish the structure of the poetic drama by means of poetic language, the imaginative usage of visual, audial, linguistic elements, the peresentations of time and space etc. Although it is asserted that verse is not a valid theater language today, it is not possible to claim that the connection between poetry and theater has been completely broken and poetry has lost its function in theater. Although Ibsen, Chekhov, Shaw, who are considered the founders of modern theater, use prose as theatrical language, they have been able to construct poetry by using a more complex and effective technique, reaching beyond certain patterns of poetry. Contrary to the abundance of concepts generated in order to discuss the interaction of poetry and poeticism with theater, such as poetic theater, dramatic poetry, dramatic verse, poetic drama, theatrical poetry and verse theater, scarcity of meticulous and detailed studies on this subject makes the situation more complicated than it is. For this reason, it is important to define poeticism in theater as an idea, a method which is exhibited piece by piece in the texture of the play and which emerges with the harmony of all elements, in order for finding a simple and valid definition for the concept.Esra DİCLEFırat Universityarticlegülten akın, poetic drama, staging, manwoman relations, alienationSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 13, Iss 82, Pp 263-376 (2021) |
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DE EN FR TR |
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gülten akın, poetic drama, staging, man woman relations, alienation Social Sciences H Social sciences (General) H1-99 |
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gülten akın, poetic drama, staging, man woman relations, alienation Social Sciences H Social sciences (General) H1-99 Esra DİCLE THE POET’S PLAY: GÜLTEN AKIN’S PLAYS AS POETIC DRAMA |
| description |
Gülten Akın describes her poems as “dramatically strong”. There is an interaction between her poems and plays, it is clearly recognized that there is a strong impact of her poetics on her plays, Batak, Kapılar Pencereler, Çıkış, Babilde Bir Kadın, Babil’de Bir Yusuf, Kızlar Değirmeni and Keloğlan which are written between 1960-1970. There are lots of issues on these plays which are also handled in her poems. The subject and the limits of this paper determined by the question that how her plays establish the structure of the poetic drama by means of poetic language, the imaginative usage of visual, audial, linguistic elements, the peresentations of time and space etc. Although it is asserted that verse is not a valid theater language today, it is not possible to claim that the connection between poetry and theater has been completely broken and poetry has lost its function in theater. Although Ibsen, Chekhov, Shaw, who are considered the founders of modern theater, use prose as theatrical language, they have been able to construct poetry by using a more complex and effective technique, reaching beyond certain patterns of poetry. Contrary to the abundance of concepts generated in order to discuss the interaction of poetry and poeticism with theater, such as poetic theater, dramatic poetry, dramatic verse, poetic drama, theatrical poetry and verse theater, scarcity of meticulous and detailed studies on this subject makes the situation more complicated than it is. For this reason, it is important to define poeticism in theater as an idea, a method which is exhibited piece by piece in the texture of the play and which emerges with the harmony of all elements, in order for finding a simple and valid definition for the concept. |
| format |
article |
| author |
Esra DİCLE |
| author_facet |
Esra DİCLE |
| author_sort |
Esra DİCLE |
| title |
THE POET’S PLAY: GÜLTEN AKIN’S PLAYS AS POETIC DRAMA |
| title_short |
THE POET’S PLAY: GÜLTEN AKIN’S PLAYS AS POETIC DRAMA |
| title_full |
THE POET’S PLAY: GÜLTEN AKIN’S PLAYS AS POETIC DRAMA |
| title_fullStr |
THE POET’S PLAY: GÜLTEN AKIN’S PLAYS AS POETIC DRAMA |
| title_full_unstemmed |
THE POET’S PLAY: GÜLTEN AKIN’S PLAYS AS POETIC DRAMA |
| title_sort |
poet’s play: gülten akin’s plays as poetic drama |
| publisher |
Fırat University |
| publishDate |
2021 |
| url |
https://doaj.org/article/cbab7c44de3641f0a3d851cafaf3f9e2 |
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AT esradicle thepoetsplaygultenakinsplaysaspoeticdrama AT esradicle poetsplaygultenakinsplaysaspoeticdrama |
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