Research of organisation specifics of shooting process in the creation of an audiovisual product
This article presents a study of the organisation of the shooting process, taking into account the authentic features of five films by the Spanish filmmaker and photographer Carlos Saura, where the principle of “photography” was the basis for the construction of the frame. Saura made a series of fil...
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Publishing House of the State University of Management
2021
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oai:doaj.org-article:cbbca20427d44af3ae7028455c7e30d22021-12-03T07:43:37ZResearch of organisation specifics of shooting process in the creation of an audiovisual product1816-42772686-841510.26425/1816-4277-2021-9-28-33https://doaj.org/article/cbbca20427d44af3ae7028455c7e30d22021-11-01T00:00:00Zhttps://vestnik.guu.ru/jour/article/view/3085https://doaj.org/toc/1816-4277https://doaj.org/toc/2686-8415This article presents a study of the organisation of the shooting process, taking into account the authentic features of five films by the Spanish filmmaker and photographer Carlos Saura, where the principle of “photography” was the basis for the construction of the frame. Saura made a series of films based on the flamenco culture, reflecting his experiments to establish the relationship between the beat of the music and dance and the rhythm of the set-up and movement of the camera. Carlos Saura’s work is characterised by a relationship between past and future, reality and fiction. When making a film, it is necessary to think photographically and critically, especially on the issue of national identity. The photographic act itself is an immediate transformation of the present referent into a petrified past. Elements of photography often add a strong dose of time to the movement you want to follow, but this possible action will always remain in the frame. Saura expands in a certain way what restricts the photographic act in such a way that the captured image overflows spacetime. For Saura, the relationship between photography and film becomes one of the most important components of the script in the films examined.Yu. V. VorontsovaA. Yu. MazurPublishing House of the State University of Managementarticleaudiovisual productcinema dynamicsspanish cinemacarlos sauraprinciple of photographyspacefilming processflamencodigital effectsSociology (General)HM401-1281Economics as a scienceHB71-74RUВестник университета, Vol 0, Iss 9, Pp 28-33 (2021) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
RU |
| topic |
audiovisual product cinema dynamics spanish cinema carlos saura principle of photography space filming process flamenco digital effects Sociology (General) HM401-1281 Economics as a science HB71-74 |
| spellingShingle |
audiovisual product cinema dynamics spanish cinema carlos saura principle of photography space filming process flamenco digital effects Sociology (General) HM401-1281 Economics as a science HB71-74 Yu. V. Vorontsova A. Yu. Mazur Research of organisation specifics of shooting process in the creation of an audiovisual product |
| description |
This article presents a study of the organisation of the shooting process, taking into account the authentic features of five films by the Spanish filmmaker and photographer Carlos Saura, where the principle of “photography” was the basis for the construction of the frame. Saura made a series of films based on the flamenco culture, reflecting his experiments to establish the relationship between the beat of the music and dance and the rhythm of the set-up and movement of the camera. Carlos Saura’s work is characterised by a relationship between past and future, reality and fiction. When making a film, it is necessary to think photographically and critically, especially on the issue of national identity. The photographic act itself is an immediate transformation of the present referent into a petrified past. Elements of photography often add a strong dose of time to the movement you want to follow, but this possible action will always remain in the frame. Saura expands in a certain way what restricts the photographic act in such a way that the captured image overflows spacetime. For Saura, the relationship between photography and film becomes one of the most important components of the script in the films examined. |
| format |
article |
| author |
Yu. V. Vorontsova A. Yu. Mazur |
| author_facet |
Yu. V. Vorontsova A. Yu. Mazur |
| author_sort |
Yu. V. Vorontsova |
| title |
Research of organisation specifics of shooting process in the creation of an audiovisual product |
| title_short |
Research of organisation specifics of shooting process in the creation of an audiovisual product |
| title_full |
Research of organisation specifics of shooting process in the creation of an audiovisual product |
| title_fullStr |
Research of organisation specifics of shooting process in the creation of an audiovisual product |
| title_full_unstemmed |
Research of organisation specifics of shooting process in the creation of an audiovisual product |
| title_sort |
research of organisation specifics of shooting process in the creation of an audiovisual product |
| publisher |
Publishing House of the State University of Management |
| publishDate |
2021 |
| url |
https://doaj.org/article/cbbca20427d44af3ae7028455c7e30d2 |
| work_keys_str_mv |
AT yuvvorontsova researchoforganisationspecificsofshootingprocessinthecreationofanaudiovisualproduct AT ayumazur researchoforganisationspecificsofshootingprocessinthecreationofanaudiovisualproduct |
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