El uso de fotografía en el cine de los hijos de desaparecidos

The purpose of this article is to study the use of photographs in documentaries made by the children of people who disappeared during the last military dictatorship in Argentina (1976-1983). The insertion of photographs in these films is not just illustrative, they are part of a strategy to represen...

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Autor principal: Katrien De Hauwere
Formato: article
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FR
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Publicado: Centre de Recherches sur les Mondes Américains 2012
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Acceso en línea:https://doaj.org/article/cbd261ccb84a46d9be08a07e0186686f
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spelling oai:doaj.org-article:cbd261ccb84a46d9be08a07e0186686f2021-12-02T10:38:24ZEl uso de fotografía en el cine de los hijos de desaparecidos1626-025210.4000/nuevomundo.63154https://doaj.org/article/cbd261ccb84a46d9be08a07e0186686f2012-07-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/63154https://doaj.org/toc/1626-0252The purpose of this article is to study the use of photographs in documentaries made by the children of people who disappeared during the last military dictatorship in Argentina (1976-1983). The insertion of photographs in these films is not just illustrative, they are part of a strategy to represent or remember the absent persons and reconstruct the past. The first part of the article highlights the relationship between photography and memory, the struggle for human rights in Argentina, and death. Photography shows something that existed; therefore, it is an excellent archive to built memory upon. Nevertheless, this document can change of meaning throughout history, depending on the intentions of use. The second part analyses the strategies of inserting photographs in four documentaries made by the second generation: Papá Iván (María Inés Roqué, 2000), Los Rubios (Albertina Carri, 2003), Encontrando a Víctor (Natalia Bruschtein, 2004) y M (Nicolás Prividera, 2007).Katrien De HauwereCentre de Recherches sur les Mondes AméricainsarticleArgentinadisappeareddocumentarymemoryphotographyAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2012)
institution DOAJ
collection DOAJ
language EN
FR
PT
topic Argentina
disappeared
documentary
memory
photography
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
spellingShingle Argentina
disappeared
documentary
memory
photography
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
Katrien De Hauwere
El uso de fotografía en el cine de los hijos de desaparecidos
description The purpose of this article is to study the use of photographs in documentaries made by the children of people who disappeared during the last military dictatorship in Argentina (1976-1983). The insertion of photographs in these films is not just illustrative, they are part of a strategy to represent or remember the absent persons and reconstruct the past. The first part of the article highlights the relationship between photography and memory, the struggle for human rights in Argentina, and death. Photography shows something that existed; therefore, it is an excellent archive to built memory upon. Nevertheless, this document can change of meaning throughout history, depending on the intentions of use. The second part analyses the strategies of inserting photographs in four documentaries made by the second generation: Papá Iván (María Inés Roqué, 2000), Los Rubios (Albertina Carri, 2003), Encontrando a Víctor (Natalia Bruschtein, 2004) y M (Nicolás Prividera, 2007).
format article
author Katrien De Hauwere
author_facet Katrien De Hauwere
author_sort Katrien De Hauwere
title El uso de fotografía en el cine de los hijos de desaparecidos
title_short El uso de fotografía en el cine de los hijos de desaparecidos
title_full El uso de fotografía en el cine de los hijos de desaparecidos
title_fullStr El uso de fotografía en el cine de los hijos de desaparecidos
title_full_unstemmed El uso de fotografía en el cine de los hijos de desaparecidos
title_sort el uso de fotografía en el cine de los hijos de desaparecidos
publisher Centre de Recherches sur les Mondes Américains
publishDate 2012
url https://doaj.org/article/cbd261ccb84a46d9be08a07e0186686f
work_keys_str_mv AT katriendehauwere elusodefotografiaenelcinedeloshijosdedesaparecidos
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