Russian Translations of Poetic Works by Li Bai: Meaning and Images Interpretation

The works of the great Chinese poet Li Bai, which were studied by large number of works of scientists and admirers of ancient Chinese poetry of the 8th century, are considered. The material involves translations from Chinese made by Russian poets-translators such as A. I. Gitovich, Yu. K. Shchutsky,...

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Autor principal:	G. Liu
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2018
Materias:	li bai ancient chinese poetry images-symbols interlinear translation translation a. i. gitovich interpretation Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/ccc35c988958417c8ea80889b8e1a016
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id	oai:doaj.org-article:ccc35c988958417c8ea80889b8e1a016
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spelling	oai:doaj.org-article:ccc35c988958417c8ea80889b8e1a0162021-12-02T07:58:05ZRussian Translations of Poetic Works by Li Bai: Meaning and Images Interpretation2225-756X2227-129510.24224/2227-1295-2018-10-184-197https://doaj.org/article/ccc35c988958417c8ea80889b8e1a0162018-10-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/932https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The works of the great Chinese poet Li Bai, which were studied by large number of works of scientists and admirers of ancient Chinese poetry of the 8th century, are considered. The material involves translations from Chinese made by Russian poets-translators such as A. I. Gitovich, Yu. K. Shchutsky, E. V. Balashov, S. A. Toroptsev, etc. Comparative analysis of Russian translations of the poetic works by Li Bai “Sitting Lonely in the Mountains of Tintinan” and “White Heron” is presented in light of the problem of interpretation of meanings and images. The author comments on the semantic differences between interlinear and literary translations. The system of figurative means in original works and their translations is analyzed. It is noted that often the compositional, plot and image basis of the original is radically changed in the translation interpretation. The author sees the reason for this not in the absence of linguistic correspondences and the difficulty of translation, but in the level of measure and talent of the authors of published interpretations. The author of the article offers his own version of the translation of Li Bai’s poem “Sitting Lonely in the Mountains of Tintinan.” The question of studying the poetry of the East at literature lessons at school is raised, since reading poetry, including Oriental authors, contributes to the development of creative thinking of students.G. LiuTsentr nauchnykh i obrazovatelnykh proektovarticleli baiancient chinese poetryimages-symbolsinterlinear translationtranslationa. i. gitovichinterpretationSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 10, Pp 184-197 (2018)
institution	DOAJ
collection	DOAJ
language	RU
topic	li bai ancient chinese poetry images-symbols interlinear translation translation a. i. gitovich interpretation Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	li bai ancient chinese poetry images-symbols interlinear translation translation a. i. gitovich interpretation Slavic languages. Baltic languages. Albanian languages PG1-9665 G. Liu Russian Translations of Poetic Works by Li Bai: Meaning and Images Interpretation
description	The works of the great Chinese poet Li Bai, which were studied by large number of works of scientists and admirers of ancient Chinese poetry of the 8th century, are considered. The material involves translations from Chinese made by Russian poets-translators such as A. I. Gitovich, Yu. K. Shchutsky, E. V. Balashov, S. A. Toroptsev, etc. Comparative analysis of Russian translations of the poetic works by Li Bai “Sitting Lonely in the Mountains of Tintinan” and “White Heron” is presented in light of the problem of interpretation of meanings and images. The author comments on the semantic differences between interlinear and literary translations. The system of figurative means in original works and their translations is analyzed. It is noted that often the compositional, plot and image basis of the original is radically changed in the translation interpretation. The author sees the reason for this not in the absence of linguistic correspondences and the difficulty of translation, but in the level of measure and talent of the authors of published interpretations. The author of the article offers his own version of the translation of Li Bai’s poem “Sitting Lonely in the Mountains of Tintinan.” The question of studying the poetry of the East at literature lessons at school is raised, since reading poetry, including Oriental authors, contributes to the development of creative thinking of students.
format	article
author	G. Liu
author_facet	G. Liu
author_sort	G. Liu
title	Russian Translations of Poetic Works by Li Bai: Meaning and Images Interpretation
title_short	Russian Translations of Poetic Works by Li Bai: Meaning and Images Interpretation
title_full	Russian Translations of Poetic Works by Li Bai: Meaning and Images Interpretation
title_fullStr	Russian Translations of Poetic Works by Li Bai: Meaning and Images Interpretation
title_full_unstemmed	Russian Translations of Poetic Works by Li Bai: Meaning and Images Interpretation
title_sort	russian translations of poetic works by li bai: meaning and images interpretation
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2018
url	https://doaj.org/article/ccc35c988958417c8ea80889b8e1a016
work_keys_str_mv	AT gliu russiantranslationsofpoeticworksbylibaimeaningandimagesinterpretation
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Russian Translations of Poetic Works by Li Bai: Meaning and Images Interpretation

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