Itinerarios y experimentación en el arte de los años 80. Una cartografía desbordada de espacios del “underground” en Buenos Aires

Towards the end of the dictatorship and the beginning of democracy, Buenos Aires witnessed the formation of an artistic movement cataloged by the public and the press as "underground". Their intense and ephemeral actions were developed mainly in precariously sustained production spaces, of...

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Autor principal:	Marina Suarez
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2019
Materias:	post-dictatorship art cartography experimentation Buenos Aires Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/ccfccfb0a0df47a08d3b865e8f834918
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id	oai:doaj.org-article:ccfccfb0a0df47a08d3b865e8f834918
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spelling	oai:doaj.org-article:ccfccfb0a0df47a08d3b865e8f8349182021-12-02T10:34:51ZItinerarios y experimentación en el arte de los años 80. Una cartografía desbordada de espacios del “underground” en Buenos Aires1626-025210.4000/nuevomundo.75920https://doaj.org/article/ccfccfb0a0df47a08d3b865e8f8349182019-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/75920https://doaj.org/toc/1626-0252Towards the end of the dictatorship and the beginning of democracy, Buenos Aires witnessed the formation of an artistic movement cataloged by the public and the press as "underground". Their intense and ephemeral actions were developed mainly in precariously sustained production spaces, often transitory and also on public roads ". However, they also soon joined official institutions linked to "high culture" or public dependency. The city that during the years of military dictatorship (1976-1983) had remained strictly, controlled, watched, limited, became, with the return of democracy, an extension for experimentation, configuring new ways of inhabiting it. It was so that the artists did not delay in reproducing it. The objective of the present work is to reconstruct a cartography of counterculture spaces (in opposition to those of the hegemonic culture) postulating that artists traveled, not only by improvised and precarious sites, but also by official and public institutions.Marina SuarezCentre de Recherches sur les Mondes Américainsarticlepost-dictatorshipartcartographyexperimentationBuenos AiresAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	post-dictatorship art cartography experimentation Buenos Aires Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	post-dictatorship art cartography experimentation Buenos Aires Anthropology GN1-890 Latin America. Spanish America F1201-3799 Marina Suarez Itinerarios y experimentación en el arte de los años 80. Una cartografía desbordada de espacios del “underground” en Buenos Aires
description	Towards the end of the dictatorship and the beginning of democracy, Buenos Aires witnessed the formation of an artistic movement cataloged by the public and the press as "underground". Their intense and ephemeral actions were developed mainly in precariously sustained production spaces, often transitory and also on public roads ". However, they also soon joined official institutions linked to "high culture" or public dependency. The city that during the years of military dictatorship (1976-1983) had remained strictly, controlled, watched, limited, became, with the return of democracy, an extension for experimentation, configuring new ways of inhabiting it. It was so that the artists did not delay in reproducing it. The objective of the present work is to reconstruct a cartography of counterculture spaces (in opposition to those of the hegemonic culture) postulating that artists traveled, not only by improvised and precarious sites, but also by official and public institutions.
format	article
author	Marina Suarez
author_facet	Marina Suarez
author_sort	Marina Suarez
title	Itinerarios y experimentación en el arte de los años 80. Una cartografía desbordada de espacios del “underground” en Buenos Aires
title_short	Itinerarios y experimentación en el arte de los años 80. Una cartografía desbordada de espacios del “underground” en Buenos Aires
title_full	Itinerarios y experimentación en el arte de los años 80. Una cartografía desbordada de espacios del “underground” en Buenos Aires
title_fullStr	Itinerarios y experimentación en el arte de los años 80. Una cartografía desbordada de espacios del “underground” en Buenos Aires
title_full_unstemmed	Itinerarios y experimentación en el arte de los años 80. Una cartografía desbordada de espacios del “underground” en Buenos Aires
title_sort	itinerarios y experimentación en el arte de los años 80. una cartografía desbordada de espacios del “underground” en buenos aires
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2019
url	https://doaj.org/article/ccfccfb0a0df47a08d3b865e8f834918
work_keys_str_mv	AT marinasuarez itinerariosyexperimentacionenelartedelosanos80unacartografiadesbordadadeespaciosdelundergroundenbuenosaires
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Itinerarios y experimentación en el arte de los años 80. Una cartografía desbordada de espacios del “underground” en Buenos Aires

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