Ontosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch

This paper deals with the ways in which it is possible to conceptualize and map forms of soundscape in the epoch of the Anthropocene. After humans became a geological force, which is a role that used to be reserved for the planet itself, one can pose the question of how to understand this new condi...

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Autor principal:	Andrija Filipović
Formato:	article
Lenguaje:	EN FR SR
Publicado:	University of Belgrade 2021
Materias:	Anthropocene ontosonography soundscape planet petrosound Anthropology GN1-890
Acceso en línea:	https://doaj.org/article/cd98c2ce1fd34abfbd98290bd3837517
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spelling	oai:doaj.org-article:cd98c2ce1fd34abfbd98290bd38375172021-12-02T17:02:39ZOntosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch10.21301/eap.v16i2.120353-15892334-8801https://doaj.org/article/cd98c2ce1fd34abfbd98290bd38375172021-07-01T00:00:00Zhttps://eap-iea.org/index.php/eap/article/view/1143https://doaj.org/toc/0353-1589https://doaj.org/toc/2334-8801 This paper deals with the ways in which it is possible to conceptualize and map forms of soundscape in the epoch of the Anthropocene. After humans became a geological force, which is a role that used to be reserved for the planet itself, one can pose the question of how to understand this new condition through sound, as well as of the ways in which (re)production of the Anthropocene is heard and performed through sound. With the usage of the terms world, globe, Earth and the planet, a certain understanding of the human environment, current state of affairs, but also of the past and the future is projected. To these terms I connect different ways of production and reception of sound (bio-melo-technology, bio-aural-technology, zoe-aural-technology), and describe their mutual relations through the concepts of biosound, zoesound, necrosound, geosound, and petrosound. I produce this typology on the basis of ontosonographic methodology, and apply it to particular case studies such as popular music (k.d. lang, Lesbian on Ecstasy, My Bloody Valentine, black metal, noise), sounds insects make, and the noise produced by urban traffic. With the help of ontosonographic methodology I map forms of being and becoming through sound and as sound, which makes ontosonography a key concept for understanding the soundscape forms of the Anthropocene. Of decisive importance for understanding the Anthrpocene soundscape is the relation between biosound and geosound, which is produced through petrocultures understood as a multiplicity of practices of extraction and exploitation of fossil fuels. The dominant form of soundscape in the epoch of the Anthropocene is the petrosound. Also, a new way for understanding fossil fuels appears as a possibility, a way that is grounded in a non-binary way of thinking beyond the difference between Life and Non-Life. It remains as a task for further research whether to approach this petrocultural non-binarity through radical or absolute immanence or, perhaps, some other set of concepts more appropriate for the Anthropocene. Andrija FilipovićUniversity of BelgradearticleAnthropoceneontosonographysoundscapeplanetpetrosoundAnthropologyGN1-890ENFRSREtnoantropološki Problemi, Vol 16, Iss 2 (2021)
institution	DOAJ
collection	DOAJ
language	EN FR SR
topic	Anthropocene ontosonography soundscape planet petrosound Anthropology GN1-890
spellingShingle	Anthropocene ontosonography soundscape planet petrosound Anthropology GN1-890 Andrija Filipović Ontosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch
description	This paper deals with the ways in which it is possible to conceptualize and map forms of soundscape in the epoch of the Anthropocene. After humans became a geological force, which is a role that used to be reserved for the planet itself, one can pose the question of how to understand this new condition through sound, as well as of the ways in which (re)production of the Anthropocene is heard and performed through sound. With the usage of the terms world, globe, Earth and the planet, a certain understanding of the human environment, current state of affairs, but also of the past and the future is projected. To these terms I connect different ways of production and reception of sound (bio-melo-technology, bio-aural-technology, zoe-aural-technology), and describe their mutual relations through the concepts of biosound, zoesound, necrosound, geosound, and petrosound. I produce this typology on the basis of ontosonographic methodology, and apply it to particular case studies such as popular music (k.d. lang, Lesbian on Ecstasy, My Bloody Valentine, black metal, noise), sounds insects make, and the noise produced by urban traffic. With the help of ontosonographic methodology I map forms of being and becoming through sound and as sound, which makes ontosonography a key concept for understanding the soundscape forms of the Anthropocene. Of decisive importance for understanding the Anthrpocene soundscape is the relation between biosound and geosound, which is produced through petrocultures understood as a multiplicity of practices of extraction and exploitation of fossil fuels. The dominant form of soundscape in the epoch of the Anthropocene is the petrosound. Also, a new way for understanding fossil fuels appears as a possibility, a way that is grounded in a non-binary way of thinking beyond the difference between Life and Non-Life. It remains as a task for further research whether to approach this petrocultural non-binarity through radical or absolute immanence or, perhaps, some other set of concepts more appropriate for the Anthropocene.
format	article
author	Andrija Filipović
author_facet	Andrija Filipović
author_sort	Andrija Filipović
title	Ontosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch
title_short	Ontosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch
title_full	Ontosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch
title_fullStr	Ontosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch
title_full_unstemmed	Ontosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch
title_sort	ontosonographic maps: toward a theoretization of soundscape forms in the anthropocene epoch
publisher	University of Belgrade
publishDate	2021
url	https://doaj.org/article/cd98c2ce1fd34abfbd98290bd3837517
work_keys_str_mv	AT andrijafilipovic ontosonographicmapstowardatheoretizationofsoundscapeformsintheanthropoceneepoch
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Ontosonographic Maps: Toward a Theoretization of Soundscape Forms in the Anthropocene Epoch

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