Representaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)

Sylvio Lanna’s Sagrada família (1970) is a film that the historiography of the Brazilian cinema inserts in the chain of production known as Marginal Cinema. The film proposes a cartography that creates a representation on two distinct spaces of the Brazilian territory (some cities of the State of Mi...

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Autor principal:	Daniela Giovana Siqueira
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2019
Materias:	tropicalism counterculture Minas Gerais Rio de Janeiro military dictatorship Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/cda205990b56424186e2e3b30ddef90e
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id	oai:doaj.org-article:cda205990b56424186e2e3b30ddef90e
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spelling	oai:doaj.org-article:cda205990b56424186e2e3b30ddef90e2021-12-02T10:35:05ZRepresentaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)1626-025210.4000/nuevomundo.76397https://doaj.org/article/cda205990b56424186e2e3b30ddef90e2019-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/76397https://doaj.org/toc/1626-0252Sylvio Lanna’s Sagrada família (1970) is a film that the historiography of the Brazilian cinema inserts in the chain of production known as Marginal Cinema. The film proposes a cartography that creates a representation on two distinct spaces of the Brazilian territory (some cities of the State of Minas Gerais and the famous capital of Rio de Janeiro), operating a fracture of language; separating in the narrative the sounds and the images. The film is elaborated as a fiction that follows a strong formal rigor. The images show the journey of a conservative bourgeois family through the mountainous landscape of Minas Gerais. Meanwhile, the sounds, captured in a documentary form in the city of Rio de Janeiro, present a chaotic assembly that brings together icons of the Brazilian musical production of the period, as well as records of the lysergic intimacy of a group of friends devoted to the counterculture. The audiovisual grammar of the work conceives a fractured dispute over the Brazilian territory, thus making an important denunciation of the imposition of power and restriction of individual freedoms that configured the Military Dictatorship in Brazil.Daniela Giovana SiqueiraCentre de Recherches sur les Mondes AméricainsarticletropicalismcountercultureMinas GeraisRio de Janeiromilitary dictatorshipAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	tropicalism counterculture Minas Gerais Rio de Janeiro military dictatorship Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	tropicalism counterculture Minas Gerais Rio de Janeiro military dictatorship Anthropology GN1-890 Latin America. Spanish America F1201-3799 Daniela Giovana Siqueira Representaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)
description	Sylvio Lanna’s Sagrada família (1970) is a film that the historiography of the Brazilian cinema inserts in the chain of production known as Marginal Cinema. The film proposes a cartography that creates a representation on two distinct spaces of the Brazilian territory (some cities of the State of Minas Gerais and the famous capital of Rio de Janeiro), operating a fracture of language; separating in the narrative the sounds and the images. The film is elaborated as a fiction that follows a strong formal rigor. The images show the journey of a conservative bourgeois family through the mountainous landscape of Minas Gerais. Meanwhile, the sounds, captured in a documentary form in the city of Rio de Janeiro, present a chaotic assembly that brings together icons of the Brazilian musical production of the period, as well as records of the lysergic intimacy of a group of friends devoted to the counterculture. The audiovisual grammar of the work conceives a fractured dispute over the Brazilian territory, thus making an important denunciation of the imposition of power and restriction of individual freedoms that configured the Military Dictatorship in Brazil.
format	article
author	Daniela Giovana Siqueira
author_facet	Daniela Giovana Siqueira
author_sort	Daniela Giovana Siqueira
title	Representaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)
title_short	Representaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)
title_full	Representaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)
title_fullStr	Representaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)
title_full_unstemmed	Representaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)
title_sort	representaciones espaciales, crítica social y contracultura en la película brasileña sagrada família (1970)
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2019
url	https://doaj.org/article/cda205990b56424186e2e3b30ddef90e
work_keys_str_mv	AT danielagiovanasiqueira representacionesespacialescriticasocialycontraculturaenlapeliculabrasilenasagradafamilia1970
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Representaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)

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