Notes on the Terror Film

The purpose of this paper—perhaps really more a set of somewhat informal notes, in the manner suggested by David Bordwell (28)—is to provide a broad brushstroke picture of the terror film from its beginnings, arguably coeval with cinema itself, to the present. It will be suggested that the terror fi...

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Autor principal:	Keith Brown
Formato:	article
Lenguaje:	EN
Publicado:	University of Edinburgh 2006
Materias:	Fine Arts N Language and Literature P
Acceso en línea:	https://doaj.org/article/cdaeec1a664440b7b07d7b5645d751ed
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spelling	oai:doaj.org-article:cdaeec1a664440b7b07d7b5645d751ed2021-11-23T09:46:01ZNotes on the Terror Film1749-9771https://doaj.org/article/cdaeec1a664440b7b07d7b5645d751ed2006-06-01T00:00:00Zhttp://www.forumjournal.org/article/view/552https://doaj.org/toc/1749-9771The purpose of this paper—perhaps really more a set of somewhat informal notes, in the manner suggested by David Bordwell (28)—is to provide a broad brushstroke picture of the terror film from its beginnings, arguably coeval with cinema itself, to the present. It will be suggested that the terror film may be seen as something of the horror film's repressed double, going beyond horror in terms of what it has to say about the existential realities of—to borrow Hannah Arendt's term—“the human condition” in the 20th Century.Keith BrownUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum, Iss 02 (2006)
institution	DOAJ
collection	DOAJ
language	EN
topic	Fine Arts N Language and Literature P
spellingShingle	Fine Arts N Language and Literature P Keith Brown Notes on the Terror Film
description	The purpose of this paper—perhaps really more a set of somewhat informal notes, in the manner suggested by David Bordwell (28)—is to provide a broad brushstroke picture of the terror film from its beginnings, arguably coeval with cinema itself, to the present. It will be suggested that the terror film may be seen as something of the horror film's repressed double, going beyond horror in terms of what it has to say about the existential realities of—to borrow Hannah Arendt's term—“the human condition” in the 20th Century.
format	article
author	Keith Brown
author_facet	Keith Brown
author_sort	Keith Brown
title	Notes on the Terror Film
title_short	Notes on the Terror Film
title_full	Notes on the Terror Film
title_fullStr	Notes on the Terror Film
title_full_unstemmed	Notes on the Terror Film
title_sort	notes on the terror film
publisher	University of Edinburgh
publishDate	2006
url	https://doaj.org/article/cdaeec1a664440b7b07d7b5645d751ed
work_keys_str_mv	AT keithbrown notesontheterrorfilm
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Notes on the Terror Film

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