It’s only rock’n’roll : um breve relato de uma revolução cultural.
This article aims at reflecting on the post-World War II cultural landscape, focussing in particular on the raise of the Rock’n’Roll as a musical genre and cultural movement. In opposition to a state “paranoia”, unrest and anti-conformism became a common ground to various social movements, particula...
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| Formato: | article |
| Lenguaje: | EN ES PT |
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Nepan editor
2015
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| Acceso en línea: | https://doi.org/10.29327/210932.3.2-13 https://doaj.org/article/ce4fe072b3be42bfadd67db87026d3cb |
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| Sumario: | This article aims at reflecting on the post-World War II cultural landscape, focussing in particular on the raise of the Rock’n’Roll as a musical genre and cultural movement. In opposition to a state “paranoia”, unrest and anti-conformism became a common ground to various social movements, particularly amongst young people, who created a body-oriented aesthetic and political critique, questioning the conservative values of the Cold War and is factual and symbolic violence. New behaviours and aesthetics created a new world-wide counterculture against the mainstream, which became a synonym of the young generations, which was nevertheless incorporated into the industrial narrative itself. |
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