It’s only rock’n’roll : um breve relato de uma revolução cultural.
This article aims at reflecting on the post-World War II cultural landscape, focussing in particular on the raise of the Rock’n’Roll as a musical genre and cultural movement. In opposition to a state “paranoia”, unrest and anti-conformism became a common ground to various social movements, particula...
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| Lenguaje: | EN ES PT |
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Nepan editor
2015
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| Acceso en línea: | https://doi.org/10.29327/210932.3.2-13 https://doaj.org/article/ce4fe072b3be42bfadd67db87026d3cb |
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oai:doaj.org-article:ce4fe072b3be42bfadd67db87026d3cb2021-12-02T20:37:08Z It’s only rock’n’roll : um breve relato de uma revolução cultural.https://doi.org/10.29327/210932.3.2-131807-18562525-5924https://doaj.org/article/ce4fe072b3be42bfadd67db87026d3cb2015-12-01T00:00:00Zhttps://periodicos.ufac.br/index.php/mui/article/view/645https://doaj.org/toc/1807-1856https://doaj.org/toc/2525-5924This article aims at reflecting on the post-World War II cultural landscape, focussing in particular on the raise of the Rock’n’Roll as a musical genre and cultural movement. In opposition to a state “paranoia”, unrest and anti-conformism became a common ground to various social movements, particularly amongst young people, who created a body-oriented aesthetic and political critique, questioning the conservative values of the Cold War and is factual and symbolic violence. New behaviours and aesthetics created a new world-wide counterculture against the mainstream, which became a synonym of the young generations, which was nevertheless incorporated into the industrial narrative itself.Wlisses James de Farias SilvaNepan editorarticlehistoryrock'n'rollcultural movementsyouthidentityHistory of scholarship and learning. The humanitiesAZ20-999ENESPTMuiraquitã, Vol 3, Iss 2, Pp 229-253 (2015) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
EN ES PT |
| topic |
history rock'n'roll cultural movements youth identity History of scholarship and learning. The humanities AZ20-999 |
| spellingShingle |
history rock'n'roll cultural movements youth identity History of scholarship and learning. The humanities AZ20-999 Wlisses James de Farias Silva It’s only rock’n’roll : um breve relato de uma revolução cultural. |
| description |
This article aims at reflecting on the post-World War II cultural landscape, focussing in particular on the raise of the Rock’n’Roll as a musical genre and cultural movement. In opposition to a state “paranoia”, unrest and anti-conformism became a common ground to various social movements, particularly amongst young people, who created a body-oriented aesthetic and political critique, questioning the conservative values of the Cold War and is factual and symbolic violence. New behaviours and aesthetics created a new world-wide counterculture against the mainstream, which became a synonym of the young generations, which was nevertheless incorporated into the industrial narrative itself. |
| format |
article |
| author |
Wlisses James de Farias Silva |
| author_facet |
Wlisses James de Farias Silva |
| author_sort |
Wlisses James de Farias Silva |
| title |
It’s only rock’n’roll : um breve relato de uma revolução cultural. |
| title_short |
It’s only rock’n’roll : um breve relato de uma revolução cultural. |
| title_full |
It’s only rock’n’roll : um breve relato de uma revolução cultural. |
| title_fullStr |
It’s only rock’n’roll : um breve relato de uma revolução cultural. |
| title_full_unstemmed |
It’s only rock’n’roll : um breve relato de uma revolução cultural. |
| title_sort |
it’s only rock’n’roll : um breve relato de uma revolução cultural. |
| publisher |
Nepan editor |
| publishDate |
2015 |
| url |
https://doi.org/10.29327/210932.3.2-13 https://doaj.org/article/ce4fe072b3be42bfadd67db87026d3cb |
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AT wlissesjamesdefariassilva itsonlyrocknrollumbreverelatodeumarevolucaocultural |
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