The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli
The aim of this paper is to examine the way the aesthetics of film noir is appropriated by Lourenço Mutarelli in his graphic novel Diomedes: a trilogia do acidente . Torn between an attempt to represent the real and a strong impulse towards stylization, this ae...
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Universidade de Brasília
2015
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oai:doaj.org-article:cec6de0ee82944a29ec5849aac3fe14b2021-11-11T15:52:08ZThe shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli1518-01582316-4018https://doaj.org/article/cec6de0ee82944a29ec5849aac3fe14b2015-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323141078015https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018The aim of this paper is to examine the way the aesthetics of film noir is appropriated by Lourenço Mutarelli in his graphic novel Diomedes: a trilogia do acidente . Torn between an attempt to represent the real and a strong impulse towards stylization, this aesthetics acts as a structuring element of the narrative, creating a world characterized by excess and degradation, from which apparently there is no way out.André Cabral de Almeida CardosoUniversidade de Brasíliaarticlefilm noircontemporary brazilian literaturegraphic novellourenço mutarelliFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 46, Pp 279-299 (2015) |
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ES PT |
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film noir contemporary brazilian literature graphic novel lourenço mutarelli French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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film noir contemporary brazilian literature graphic novel lourenço mutarelli French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 André Cabral de Almeida Cardoso The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli |
description |
The aim of this paper is to examine the way the aesthetics of film noir is appropriated by Lourenço Mutarelli in his graphic novel Diomedes: a trilogia do acidente . Torn between an attempt to represent the real and a strong impulse towards stylization, this aesthetics acts as a structuring element of the narrative, creating a world characterized by excess and degradation, from which apparently there is no way out. |
format |
article |
author |
André Cabral de Almeida Cardoso |
author_facet |
André Cabral de Almeida Cardoso |
author_sort |
André Cabral de Almeida Cardoso |
title |
The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli |
title_short |
The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli |
title_full |
The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli |
title_fullStr |
The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli |
title_full_unstemmed |
The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli |
title_sort |
shadow of the world: excess and imprisonment in diomedes: a trilogia do acidente, by lourenço mutarelli |
publisher |
Universidade de Brasília |
publishDate |
2015 |
url |
https://doaj.org/article/cec6de0ee82944a29ec5849aac3fe14b |
work_keys_str_mv |
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