Genesis and Development of Idyll Genre Theory in Germany in the First Half of the 18<sup>th</sup> Century (from I. H. Gushed to M. Mendelssohn)

The features of formation of idyll genre theory in Germany in the first half of the 18th century in the works of I. H. Gushed, S. Gessner, I. A. Schlegel and M. Mendelssohn are considered. The results of comparative analysis of the concepts of German theorists are presented. The novelty of the resea...

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Autor principal:	A. N. Anisimova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2017
Materias:	idyll eclogue pastoral utopian modality genre Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/cf37bbfb75c2401687068926cdea799b
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spelling	oai:doaj.org-article:cf37bbfb75c2401687068926cdea799b2021-12-02T07:57:59ZGenesis and Development of Idyll Genre Theory in Germany in the First Half of the 18<sup>th</sup> Century (from I. H. Gushed to M. Mendelssohn)2225-756X2227-129510.24224/2227-1295-2017-2-100-114https://doaj.org/article/cf37bbfb75c2401687068926cdea799b2017-02-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/305https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The features of formation of idyll genre theory in Germany in the first half of the 18th century in the works of I. H. Gushed, S. Gessner, I. A. Schlegel and M. Mendelssohn are considered. The results of comparative analysis of the concepts of German theorists are presented. The novelty of the research is seen in the system covering the approaches to the study of the idyll genre, which have developed in German literary criticism. The research urgency is caused by the consideration of the basic stages of development of idyll genre: (1) utopian modality (the search for “the golden age”) in the concept of I. H. Hatched, (2) social orientation of idylls by S. Gesner, (3) raising the status of the idyll in the genre hierarchy (from the lower to the middle) to the concept of I. A. Schlegel, (4) the rejection of normativity of the genre of idyll in the concept of M. Mendelssohn. The definitions for the terms idyll , eclogue , pastoral are given. The author dwells on the results of the studies described in the major works of these theorists. The fragments of the works inaccessible to the Russian reader are cited and commented. The article represents a synthesis of the experience of the author’s work on this topic. It is concluded that in the writings of literature theorists from I. H. Hatched to M Mendelssohn it is possible to note the rationalistic tendencies and the desire to see in idyll genre the reflection of the ideal (“reasonable”) nature.A. N. AnisimovaTsentr nauchnykh i obrazovatelnykh proektovarticleidyllecloguepastoralutopian modalitygenreSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 2, Pp 100-114 (2017)
institution	DOAJ
collection	DOAJ
language	RU
topic	idyll eclogue pastoral utopian modality genre Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	idyll eclogue pastoral utopian modality genre Slavic languages. Baltic languages. Albanian languages PG1-9665 A. N. Anisimova Genesis and Development of Idyll Genre Theory in Germany in the First Half of the 18<sup>th</sup> Century (from I. H. Gushed to M. Mendelssohn)
description	The features of formation of idyll genre theory in Germany in the first half of the 18th century in the works of I. H. Gushed, S. Gessner, I. A. Schlegel and M. Mendelssohn are considered. The results of comparative analysis of the concepts of German theorists are presented. The novelty of the research is seen in the system covering the approaches to the study of the idyll genre, which have developed in German literary criticism. The research urgency is caused by the consideration of the basic stages of development of idyll genre: (1) utopian modality (the search for “the golden age”) in the concept of I. H. Hatched, (2) social orientation of idylls by S. Gesner, (3) raising the status of the idyll in the genre hierarchy (from the lower to the middle) to the concept of I. A. Schlegel, (4) the rejection of normativity of the genre of idyll in the concept of M. Mendelssohn. The definitions for the terms idyll , eclogue , pastoral are given. The author dwells on the results of the studies described in the major works of these theorists. The fragments of the works inaccessible to the Russian reader are cited and commented. The article represents a synthesis of the experience of the author’s work on this topic. It is concluded that in the writings of literature theorists from I. H. Hatched to M Mendelssohn it is possible to note the rationalistic tendencies and the desire to see in idyll genre the reflection of the ideal (“reasonable”) nature.
format	article
author	A. N. Anisimova
author_facet	A. N. Anisimova
author_sort	A. N. Anisimova
title	Genesis and Development of Idyll Genre Theory in Germany in the First Half of the 18<sup>th</sup> Century (from I. H. Gushed to M. Mendelssohn)
title_short	Genesis and Development of Idyll Genre Theory in Germany in the First Half of the 18<sup>th</sup> Century (from I. H. Gushed to M. Mendelssohn)
title_full	Genesis and Development of Idyll Genre Theory in Germany in the First Half of the 18<sup>th</sup> Century (from I. H. Gushed to M. Mendelssohn)
title_fullStr	Genesis and Development of Idyll Genre Theory in Germany in the First Half of the 18<sup>th</sup> Century (from I. H. Gushed to M. Mendelssohn)
title_full_unstemmed	Genesis and Development of Idyll Genre Theory in Germany in the First Half of the 18<sup>th</sup> Century (from I. H. Gushed to M. Mendelssohn)
title_sort	genesis and development of idyll genre theory in germany in the first half of the 18<sup>th</sup> century (from i. h. gushed to m. mendelssohn)
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2017
url	https://doaj.org/article/cf37bbfb75c2401687068926cdea799b
work_keys_str_mv	AT ananisimova genesisanddevelopmentofidyllgenretheoryingermanyinthefirsthalfofthe18supthsupcenturyfromihgushedtommendelssohn
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Genesis and Development of Idyll Genre Theory in Germany in the First Half of the 18<sup>th</sup> Century (from I. H. Gushed to M. Mendelssohn)

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