Eastern Cultures Enter Hyperspace
The article discusses inspirations from Far Eastern cultures present in George Lucas’ Star Wars saga. This cinematic story is treated as a postmodernist text, in which references to earlier cultural works appear. More attention is given to the sequel trilogy, not explored in academic circles as muc...
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Ksiegarnia Akademicka Publishing
2020
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oai:doaj.org-article:cf7b4fc34a5149768982a78d75ddb5122021-11-27T12:55:14ZEastern Cultures Enter Hyperspace10.12797/RM.02.2019.06.092544-21392544-2546https://doaj.org/article/cf7b4fc34a5149768982a78d75ddb5122020-02-01T00:00:00Zhttps://journals.akademicka.pl/relacje/article/view/1257https://doaj.org/toc/2544-2139https://doaj.org/toc/2544-2546 The article discusses inspirations from Far Eastern cultures present in George Lucas’ Star Wars saga. This cinematic story is treated as a postmodernist text, in which references to earlier cultural works appear. More attention is given to the sequel trilogy, not explored in academic circles as much as the two earlier trilogies. These inspirations are analysed through the lens of Edward Said’s concept of orientalism, with additional focus on the specific ways in which it was employed in the United States of America. In the conclusion, some reflections are devoted to audience reactions to the newest trilogy and the Eastern elements present therein. Marta KupisKsiegarnia Akademicka PublishingarticleStar WarsorientalismGeorge Lucasscience-fictionFar Eastpost-Saidian orientalismEthnology. Social and cultural anthropologyGN301-674ENPLRelacje Międzykulturowe, Vol 3, Iss 2(6) (2020) |
institution |
DOAJ |
collection |
DOAJ |
language |
EN PL |
topic |
Star Wars orientalism George Lucas science-fiction Far East post-Saidian orientalism Ethnology. Social and cultural anthropology GN301-674 |
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Star Wars orientalism George Lucas science-fiction Far East post-Saidian orientalism Ethnology. Social and cultural anthropology GN301-674 Marta Kupis Eastern Cultures Enter Hyperspace |
description |
The article discusses inspirations from Far Eastern cultures present in George Lucas’ Star Wars saga. This cinematic story is treated as a postmodernist text, in which references to earlier cultural works appear. More attention is given to the sequel trilogy, not explored in academic circles as much as the two earlier trilogies. These inspirations are analysed through the lens of Edward Said’s concept of orientalism, with additional focus on the specific ways in which it was employed in the United States of America. In the conclusion, some reflections are devoted to audience reactions to the newest trilogy and the Eastern elements present therein.
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format |
article |
author |
Marta Kupis |
author_facet |
Marta Kupis |
author_sort |
Marta Kupis |
title |
Eastern Cultures Enter Hyperspace |
title_short |
Eastern Cultures Enter Hyperspace |
title_full |
Eastern Cultures Enter Hyperspace |
title_fullStr |
Eastern Cultures Enter Hyperspace |
title_full_unstemmed |
Eastern Cultures Enter Hyperspace |
title_sort |
eastern cultures enter hyperspace |
publisher |
Ksiegarnia Akademicka Publishing |
publishDate |
2020 |
url |
https://doaj.org/article/cf7b4fc34a5149768982a78d75ddb512 |
work_keys_str_mv |
AT martakupis easternculturesenterhyperspace |
_version_ |
1718409012720959488 |