A MAJOR FIGURE OF AUTHORSHIP GAME: GÖNÜL ÇOLAK
Turkish short story, which got through various stages of Turkish literature and reached its present form, flowed up to two arch starting with the Tanzimat period to Republic period. When examining its course, its classical perception of expression westernisated gradually and its genre transformed fr...
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| Formato: | article |
| Lenguaje: | DE EN FR TR |
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Fırat University
2019
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| Acceso en línea: | https://doaj.org/article/cfa60e086ab047cc97feb5d532673a94 |
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| Sumario: | Turkish short story, which got through various stages of Turkish literature and reached its present form, flowed up to two arch starting with the Tanzimat period to Republic period. When examining its course, its classical perception of expression westernisated gradually and its genre transformed from "tale" to the "story", and it is moving in a straight postmodern line today. By following this trace, post-modern Turkish history has quite a different features especially in the technical, ficional and linguistic aspects.. One of the best examples of recent years is Gönül Çolak’s (1971-) Komi ve Kemikler (Carrier and the Bones) which has won Yunus Nadi Story Award 2009. According to Gönül Çolak who makes a good start her literature life thanks to this work of art, art is a type of existence. What interests the autor, in the literary world which exists that human driving round and round in the mechanism, is space and ridiculousness. In this context, in order to artist who begins to question the real, history is the moments of “encounter” and “ecstasy”. This stories fictionalised between sleep and alertness are the result of Çolak’s mind which perceives sleekly the fact. The story book of the author which has gained more sturdy place with his novella called as Yılanın Gözünden İçeri (2012) (Inside the Eye of the Serpent), in general has attracted attention by its feature which acquire the act of writing as a problem. Especially, necessitate us to place his stories in a significant spot local adage which runs parallel postmodern posture in the contexts of narrative techniques and fiction . In this article, perception of authorship of Gönül Çolak who has not been sufficiently recognized in world of literature yet, will be elaborated, then artist’s story book called as Komi ve Kelebekler will be resolved in various aspects. And general conclusions will be suggested about currently position of Çolak in Turkish literature and in position which can be reached by him. |
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