A MAJOR FIGURE OF AUTHORSHIP GAME: GÖNÜL ÇOLAK

Turkish short story, which got through various stages of Turkish literature and reached its present form, flowed up to two arch starting with the Tanzimat period to Republic period. When examining its course, its classical perception of expression westernisated gradually and its genre transformed fr...

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Autor principal: Bedia KOÇAKOĞLU
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Publicado: Fırat University 2019
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spelling oai:doaj.org-article:cfa60e086ab047cc97feb5d532673a942021-11-24T09:21:05ZA MAJOR FIGURE OF AUTHORSHIP GAME: GÖNÜL ÇOLAK2148-416310.9761/jasss_732https://doaj.org/article/cfa60e086ab047cc97feb5d532673a942019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=1302623849_68ko%C3%A7ako%C4%9Flubedia-1295-1313.pdf&key=26601https://doaj.org/toc/2148-4163Turkish short story, which got through various stages of Turkish literature and reached its present form, flowed up to two arch starting with the Tanzimat period to Republic period. When examining its course, its classical perception of expression westernisated gradually and its genre transformed from "tale" to the "story", and it is moving in a straight postmodern line today. By following this trace, post-modern Turkish history has quite a different features especially in the technical, ficional and linguistic aspects.. One of the best examples of recent years is Gönül Çolak’s (1971-) Komi ve Kemikler (Carrier and the Bones) which has won Yunus Nadi Story Award 2009. According to Gönül Çolak who makes a good start her literature life thanks to this work of art, art is a type of existence. What interests the autor, in the literary world which exists that human driving round and round in the mechanism, is space and ridiculousness. In this context, in order to artist who begins to question the real, history is the moments of “encounter” and “ecstasy”. This stories fictionalised between sleep and alertness are the result of Çolak’s mind which perceives sleekly the fact. The story book of the author which has gained more sturdy place with his novella called as Yılanın Gözünden İçeri (2012) (Inside the Eye of the Serpent), in general has attracted attention by its feature which acquire the act of writing as a problem. Especially, necessitate us to place his stories in a significant spot local adage which runs parallel postmodern posture in the contexts of narrative techniques and fiction . In this article, perception of authorship of Gönül Çolak who has not been sufficiently recognized in world of literature yet, will be elaborated, then artist’s story book called as Komi ve Kelebekler will be resolved in various aspects. And general conclusions will be suggested about currently position of Çolak in Turkish literature and in position which can be reached by him.Bedia KOÇAKOĞLUFırat Universityarticlestorygönül çolakkomi ve kemikleranalyse.Social SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 6, Iss 17, Pp 1295-1313 (2019)
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic story
gönül çolak
komi ve kemikler
analyse.
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle story
gönül çolak
komi ve kemikler
analyse.
Social Sciences
H
Social sciences (General)
H1-99
Bedia KOÇAKOĞLU
A MAJOR FIGURE OF AUTHORSHIP GAME: GÖNÜL ÇOLAK
description Turkish short story, which got through various stages of Turkish literature and reached its present form, flowed up to two arch starting with the Tanzimat period to Republic period. When examining its course, its classical perception of expression westernisated gradually and its genre transformed from "tale" to the "story", and it is moving in a straight postmodern line today. By following this trace, post-modern Turkish history has quite a different features especially in the technical, ficional and linguistic aspects.. One of the best examples of recent years is Gönül Çolak’s (1971-) Komi ve Kemikler (Carrier and the Bones) which has won Yunus Nadi Story Award 2009. According to Gönül Çolak who makes a good start her literature life thanks to this work of art, art is a type of existence. What interests the autor, in the literary world which exists that human driving round and round in the mechanism, is space and ridiculousness. In this context, in order to artist who begins to question the real, history is the moments of “encounter” and “ecstasy”. This stories fictionalised between sleep and alertness are the result of Çolak’s mind which perceives sleekly the fact. The story book of the author which has gained more sturdy place with his novella called as Yılanın Gözünden İçeri (2012) (Inside the Eye of the Serpent), in general has attracted attention by its feature which acquire the act of writing as a problem. Especially, necessitate us to place his stories in a significant spot local adage which runs parallel postmodern posture in the contexts of narrative techniques and fiction . In this article, perception of authorship of Gönül Çolak who has not been sufficiently recognized in world of literature yet, will be elaborated, then artist’s story book called as Komi ve Kelebekler will be resolved in various aspects. And general conclusions will be suggested about currently position of Çolak in Turkish literature and in position which can be reached by him.
format article
author Bedia KOÇAKOĞLU
author_facet Bedia KOÇAKOĞLU
author_sort Bedia KOÇAKOĞLU
title A MAJOR FIGURE OF AUTHORSHIP GAME: GÖNÜL ÇOLAK
title_short A MAJOR FIGURE OF AUTHORSHIP GAME: GÖNÜL ÇOLAK
title_full A MAJOR FIGURE OF AUTHORSHIP GAME: GÖNÜL ÇOLAK
title_fullStr A MAJOR FIGURE OF AUTHORSHIP GAME: GÖNÜL ÇOLAK
title_full_unstemmed A MAJOR FIGURE OF AUTHORSHIP GAME: GÖNÜL ÇOLAK
title_sort major figure of authorship game: gönül çolak
publisher Fırat University
publishDate 2019
url https://doaj.org/article/cfa60e086ab047cc97feb5d532673a94
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