The Motif of Moving Flats in F.M. Dostoevsky’s Texts:The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured

The article examines one of the most important motifs inAbstract: The article examines one of the most important motifs inF.M. Dostoevsky’s early works, the motif of moving flats. The central point ofalmost all Dostoevsky’s early works, both on the plot level and the symbolical oneis the opening of...

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Autor principal: Tatyana G. Magaril-Il’yaeva
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Publicado: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2019
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Acceso en línea:https://doaj.org/article/cfc8b4f2de464c2a8831dd41bed60985
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spelling oai:doaj.org-article:cfc8b4f2de464c2a8831dd41bed609852021-11-25T08:27:06ZThe Motif of Moving Flats in F.M. Dostoevsky’s Texts:The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured10.22455/2619-0311-2019-4-112-1322619-03112712-8512https://doaj.org/article/cfc8b4f2de464c2a8831dd41bed609852019-12-01T00:00:00Zhttp://dostmirkult.ru/images/DOST_2019-48-int-113-133.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512The article examines one of the most important motifs inAbstract: The article examines one of the most important motifs inF.M. Dostoevsky’s early works, the motif of moving flats. The central point ofalmost all Dostoevsky’s early works, both on the plot level and the symbolical oneis the opening of the characters’ heart so that all their life is dramatically changed.It is remarkable that in some early works characters owning a potentially feelingheart experience its opening/revelation in an unusual place – some “blacker” flat.Moreover, they are looking for it themselves often leaving their better dwelling. Thisturn of the plot can be found in White Nights, “An Honest Thief”, and it is speciallyaccented by the writer in “The Landlady” and The Insulted and the Injured, also bymeans of placing it in the beginning of the story. Every flat like that, in Dostoevsky’sartistic world, has a landlady, and meeting her appears to be the pivotal momentin the heroes’/tenants’ life because this acquaintance reaches their hearts allowingthem to revive and expose themselves.Tatyana G. Magaril-Il’yaevaRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticlef.m. dostoevsky’s early worksmotif of changing a flatthe story “the landlady”the novel white nightsthe novel the insulted and the injuredSlavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 4, Pp 112-132 (2019)
institution DOAJ
collection DOAJ
language EN
RU
topic f.m. dostoevsky’s early works
motif of changing a flat
the story “the landlady”
the novel white nights
the novel the insulted and the injured
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle f.m. dostoevsky’s early works
motif of changing a flat
the story “the landlady”
the novel white nights
the novel the insulted and the injured
Slavic languages. Baltic languages. Albanian languages
PG1-9665
Tatyana G. Magaril-Il’yaeva
The Motif of Moving Flats in F.M. Dostoevsky’s Texts:The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured
description The article examines one of the most important motifs inAbstract: The article examines one of the most important motifs inF.M. Dostoevsky’s early works, the motif of moving flats. The central point ofalmost all Dostoevsky’s early works, both on the plot level and the symbolical oneis the opening of the characters’ heart so that all their life is dramatically changed.It is remarkable that in some early works characters owning a potentially feelingheart experience its opening/revelation in an unusual place – some “blacker” flat.Moreover, they are looking for it themselves often leaving their better dwelling. Thisturn of the plot can be found in White Nights, “An Honest Thief”, and it is speciallyaccented by the writer in “The Landlady” and The Insulted and the Injured, also bymeans of placing it in the beginning of the story. Every flat like that, in Dostoevsky’sartistic world, has a landlady, and meeting her appears to be the pivotal momentin the heroes’/tenants’ life because this acquaintance reaches their hearts allowingthem to revive and expose themselves.
format article
author Tatyana G. Magaril-Il’yaeva
author_facet Tatyana G. Magaril-Il’yaeva
author_sort Tatyana G. Magaril-Il’yaeva
title The Motif of Moving Flats in F.M. Dostoevsky’s Texts:The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured
title_short The Motif of Moving Flats in F.M. Dostoevsky’s Texts:The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured
title_full The Motif of Moving Flats in F.M. Dostoevsky’s Texts:The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured
title_fullStr The Motif of Moving Flats in F.M. Dostoevsky’s Texts:The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured
title_full_unstemmed The Motif of Moving Flats in F.M. Dostoevsky’s Texts:The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured
title_sort motif of moving flats in f.m. dostoevsky’s texts:the motif of moving flats in f.m. dostoevsky’s texts:from early works to the novel the insulted and the injured
publisher Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate 2019
url https://doaj.org/article/cfc8b4f2de464c2a8831dd41bed60985
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