Image Paradigm “Song → Body” in Song Text Poetics (by Material of F. Kankulov’s Poetry Collection “Voice of the Heart”)

The specificity of actualization of an image in the poetics of a song text is considered. Difficulties of theoretical interpretations of song genre as a form of literary creation are revealed, within its context the status of popular songs poetry is revealed. Questions of interaction of modalities o...

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Autores principales:	I. A. Kazharova, L. B. Berberova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2019
Materias:	song text poetics mass song images paradigm mentality Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/d0b4f16d248342fea532ae1be83cb4be
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id	oai:doaj.org-article:d0b4f16d248342fea532ae1be83cb4be
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spelling	oai:doaj.org-article:d0b4f16d248342fea532ae1be83cb4be2021-12-02T07:58:07ZImage Paradigm “Song → Body” in Song Text Poetics (by Material of F. Kankulov’s Poetry Collection “Voice of the Heart”)2225-756X2227-129510.24224/2227-1295-2019-6-125-138https://doaj.org/article/d0b4f16d248342fea532ae1be83cb4be2019-06-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1222https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The specificity of actualization of an image in the poetics of a song text is considered. Difficulties of theoretical interpretations of song genre as a form of literary creation are revealed, within its context the status of popular songs poetry is revealed. Questions of interaction of modalities of personal “I” of a poet-songwriter and audience for which he / she creates are touched. A distinction is made between the cases of “spontaneous” music transcription of texts that were originally created in the context of recitation poetry, and the cases of originally conceived, conscious projection of texts to music. Semantic regularities can be traced on concrete material, which determine the specificity of a song in the role of an image typical to mass songs genre. The paradigm “song → body” is considered as one ofthe variants of representation of this image. Examples are given from the song poetry by F. M. Kankulov, whose work to date has not attracted the attention of researchers, especially the individual aspects of his poetry, which determines the novelty of the presented observations, were not considered. The study suggests that the cultural specificity that emerges in the paradigm raises the question of new mental aspects in image reading, which within the song text is based on the upper, and therefore, the most transparent layers of cultural identity.I. A. KazharovaL. B. BerberovaTsentr nauchnykh i obrazovatelnykh proektovarticlesong textpoeticsmass songimages paradigmmentalitySlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 6, Pp 125-138 (2019)
institution	DOAJ
collection	DOAJ
language	RU
topic	song text poetics mass song images paradigm mentality Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	song text poetics mass song images paradigm mentality Slavic languages. Baltic languages. Albanian languages PG1-9665 I. A. Kazharova L. B. Berberova Image Paradigm “Song → Body” in Song Text Poetics (by Material of F. Kankulov’s Poetry Collection “Voice of the Heart”)
description	The specificity of actualization of an image in the poetics of a song text is considered. Difficulties of theoretical interpretations of song genre as a form of literary creation are revealed, within its context the status of popular songs poetry is revealed. Questions of interaction of modalities of personal “I” of a poet-songwriter and audience for which he / she creates are touched. A distinction is made between the cases of “spontaneous” music transcription of texts that were originally created in the context of recitation poetry, and the cases of originally conceived, conscious projection of texts to music. Semantic regularities can be traced on concrete material, which determine the specificity of a song in the role of an image typical to mass songs genre. The paradigm “song → body” is considered as one ofthe variants of representation of this image. Examples are given from the song poetry by F. M. Kankulov, whose work to date has not attracted the attention of researchers, especially the individual aspects of his poetry, which determines the novelty of the presented observations, were not considered. The study suggests that the cultural specificity that emerges in the paradigm raises the question of new mental aspects in image reading, which within the song text is based on the upper, and therefore, the most transparent layers of cultural identity.
format	article
author	I. A. Kazharova L. B. Berberova
author_facet	I. A. Kazharova L. B. Berberova
author_sort	I. A. Kazharova
title	Image Paradigm “Song → Body” in Song Text Poetics (by Material of F. Kankulov’s Poetry Collection “Voice of the Heart”)
title_short	Image Paradigm “Song → Body” in Song Text Poetics (by Material of F. Kankulov’s Poetry Collection “Voice of the Heart”)
title_full	Image Paradigm “Song → Body” in Song Text Poetics (by Material of F. Kankulov’s Poetry Collection “Voice of the Heart”)
title_fullStr	Image Paradigm “Song → Body” in Song Text Poetics (by Material of F. Kankulov’s Poetry Collection “Voice of the Heart”)
title_full_unstemmed	Image Paradigm “Song → Body” in Song Text Poetics (by Material of F. Kankulov’s Poetry Collection “Voice of the Heart”)
title_sort	image paradigm “song → body” in song text poetics (by material of f. kankulov’s poetry collection “voice of the heart”)
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2019
url	https://doaj.org/article/d0b4f16d248342fea532ae1be83cb4be
work_keys_str_mv	AT iakazharova imageparadigmsongbodyinsongtextpoeticsbymaterialoffkankulovspoetrycollectionvoiceoftheheart AT lbberberova imageparadigmsongbodyinsongtextpoeticsbymaterialoffkankulovspoetrycollectionvoiceoftheheart
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Image Paradigm “Song → Body” in Song Text Poetics (by Material of F. Kankulov’s Poetry Collection “Voice of the Heart”)

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