Aesthetics of form and content in the layout of the manuscript of of Nahj al-Balaghah belonging to the Safavid period preserved in the National Library [In Persian]

The manuscript of Nahj al-Balaghah belonging to the Safavid period is one of the treasures of the National Library's treasury of documents. of writing this work by the traditional way shows the visual knowledge of the calligrapher and his unique creativity in managing the written text. Its layo...

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Autor principal: Hossein Abeddoost
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Publicado: International E-Research Foundation (Bonyan Pouya Pajooh Andisheh Institute) 2021
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Acceso en línea:https://doaj.org/article/d151cf7f1b234a158e21951eb3532837
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spelling oai:doaj.org-article:d151cf7f1b234a158e21951eb35328372021-12-02T17:20:24ZAesthetics of form and content in the layout of the manuscript of of Nahj al-Balaghah belonging to the Safavid period preserved in the National Library [In Persian]2645-342810.22034/jltll.v4i1.121https://doaj.org/article/d151cf7f1b234a158e21951eb35328372021-03-01T00:00:00Zhttp://jltll.ierf.ir/article_243596_21f6ac0a9458e74adabf09f50309e13d.pdfhttps://doaj.org/toc/2645-3428The manuscript of Nahj al-Balaghah belonging to the Safavid period is one of the treasures of the National Library's treasury of documents. of writing this work by the traditional way shows the visual knowledge of the calligrapher and his unique creativity in managing the written text. Its layout is written with distinct visual arrangements. The present study seeks to answer the question of what visual and semantic space creates a visual and semantic space in the audience in the manuscript of Nahj al-Balaghah belonging to the Safavid period and what visual principles and basics influence the creation of this sensory space. The hypothesis of researching the beauty of form and content in a linear work owes much to the heartfelt belief in Islamic-Shiite teachings as well as the creative use of framing and page layout management based on the principles of image organization to convey meaning to the audience Creating a relaxing and amazing atmosphere for the audience of the present age. The purpose of this research is to explain the semantic and visual aspects of influential page layout of Nahj al-Balagheh manuscript as part of the traditional graphics of the Islamic period. The research method is descriptive-analytical, the method of collecting library materials is through phishing and image reading. Based on the studies, it can be concluded: The creation of this manuscript by Shiite calligrapher is associated with love of beauty and enlightenment to the truths of divine existence and self-cultivation, and provides the background for the creation of aural writing on the page, the beauty of form in the Nahj al-Balaghah manuscript, it owes much to the use of conventional and creative frameworks formed the basis for the formation and management of writing. There is a harmony between gilding and writing in conveying a soothing sensory meaning on some pages. Visual arrangements follow the transmission of special meanings such as harmony and calmness, visual movement and effervescence, rhythm and rhythm, darkness and light, distance and proximity, contrast and contrast. The author of this work has used the principles of image organization such as harmony, contrast, balance, mastery, movement and proportion, to convey the sensory meaning, attract the view and visual guidance of the audience.Hossein AbeddoostInternational E-Research Foundation (Bonyan Pouya Pajooh Andisheh Institute)articlevisual and semantic effectspage layoutnahj al-balaghahnational libraryLanguage and LiteraturePARENFAآموزش زبان، ادبیات و زبانشناسی, Vol 4, Iss 1, Pp 1-28 (2021)
institution DOAJ
collection DOAJ
language AR
EN
FA
topic visual and semantic effects
page layout
nahj al-balaghah
national library
Language and Literature
P
spellingShingle visual and semantic effects
page layout
nahj al-balaghah
national library
Language and Literature
P
Hossein Abeddoost
Aesthetics of form and content in the layout of the manuscript of of Nahj al-Balaghah belonging to the Safavid period preserved in the National Library [In Persian]
description The manuscript of Nahj al-Balaghah belonging to the Safavid period is one of the treasures of the National Library's treasury of documents. of writing this work by the traditional way shows the visual knowledge of the calligrapher and his unique creativity in managing the written text. Its layout is written with distinct visual arrangements. The present study seeks to answer the question of what visual and semantic space creates a visual and semantic space in the audience in the manuscript of Nahj al-Balaghah belonging to the Safavid period and what visual principles and basics influence the creation of this sensory space. The hypothesis of researching the beauty of form and content in a linear work owes much to the heartfelt belief in Islamic-Shiite teachings as well as the creative use of framing and page layout management based on the principles of image organization to convey meaning to the audience Creating a relaxing and amazing atmosphere for the audience of the present age. The purpose of this research is to explain the semantic and visual aspects of influential page layout of Nahj al-Balagheh manuscript as part of the traditional graphics of the Islamic period. The research method is descriptive-analytical, the method of collecting library materials is through phishing and image reading. Based on the studies, it can be concluded: The creation of this manuscript by Shiite calligrapher is associated with love of beauty and enlightenment to the truths of divine existence and self-cultivation, and provides the background for the creation of aural writing on the page, the beauty of form in the Nahj al-Balaghah manuscript, it owes much to the use of conventional and creative frameworks formed the basis for the formation and management of writing. There is a harmony between gilding and writing in conveying a soothing sensory meaning on some pages. Visual arrangements follow the transmission of special meanings such as harmony and calmness, visual movement and effervescence, rhythm and rhythm, darkness and light, distance and proximity, contrast and contrast. The author of this work has used the principles of image organization such as harmony, contrast, balance, mastery, movement and proportion, to convey the sensory meaning, attract the view and visual guidance of the audience.
format article
author Hossein Abeddoost
author_facet Hossein Abeddoost
author_sort Hossein Abeddoost
title Aesthetics of form and content in the layout of the manuscript of of Nahj al-Balaghah belonging to the Safavid period preserved in the National Library [In Persian]
title_short Aesthetics of form and content in the layout of the manuscript of of Nahj al-Balaghah belonging to the Safavid period preserved in the National Library [In Persian]
title_full Aesthetics of form and content in the layout of the manuscript of of Nahj al-Balaghah belonging to the Safavid period preserved in the National Library [In Persian]
title_fullStr Aesthetics of form and content in the layout of the manuscript of of Nahj al-Balaghah belonging to the Safavid period preserved in the National Library [In Persian]
title_full_unstemmed Aesthetics of form and content in the layout of the manuscript of of Nahj al-Balaghah belonging to the Safavid period preserved in the National Library [In Persian]
title_sort aesthetics of form and content in the layout of the manuscript of of nahj al-balaghah belonging to the safavid period preserved in the national library [in persian]
publisher International E-Research Foundation (Bonyan Pouya Pajooh Andisheh Institute)
publishDate 2021
url https://doaj.org/article/d151cf7f1b234a158e21951eb3532837
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