Le vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso

Theatre and opera in Rousseau’s works deserve radically different treatments. Although the citoyen de Génève recognizes interest and imitation as common principles to both forms of art, the nature of theatrical and musical imitation sets them apart. The article draws on many writings of Rousseau to...

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Autor principal:	Maria Semi
Formato:	article
Lenguaje:	EN IT
Publicado:	University of Bologna 2021
Materias:	jean-jacques rousseau lettre à d’alembert encyclopédie theatre classic music opera Anthropology GN1-890 Dramatic representation. The theater PN2000-3307
Acceso en línea:	https://doaj.org/article/d20274c6acf64fc5b0a413c667d50f68
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spelling	oai:doaj.org-article:d20274c6acf64fc5b0a413c667d50f682021-11-10T14:47:52ZLe vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso2039-228110.6092/issn.2039-2281/13820https://doaj.org/article/d20274c6acf64fc5b0a413c667d50f682021-11-01T00:00:00Zhttps://antropologiaeteatro.unibo.it/article/view/13820https://doaj.org/toc/2039-2281Theatre and opera in Rousseau’s works deserve radically different treatments. Although the citoyen de Génève recognizes interest and imitation as common principles to both forms of art, the nature of theatrical and musical imitation sets them apart. The article draws on many writings of Rousseau to show how considerations about the role played by pity and imagination in the development of human history stand in the background to the author’s analysis of imitation and it singles out the peculiar relationship between music and language as crucial to the distinction between the moral effects of theatre and music.Maria SemiUniversity of Bolognaarticlejean-jacques rousseaulettre à d’alembertencyclopédietheatreclassic music operaAnthropologyGN1-890Dramatic representation. The theaterPN2000-3307ENITAntropologia e Teatro, Iss 13, Pp 156-170 (2021)
institution	DOAJ
collection	DOAJ
language	EN IT
topic	jean-jacques rousseau lettre à d’alembert encyclopédie theatre classic music opera Anthropology GN1-890 Dramatic representation. The theater PN2000-3307
spellingShingle	jean-jacques rousseau lettre à d’alembert encyclopédie theatre classic music opera Anthropology GN1-890 Dramatic representation. The theater PN2000-3307 Maria Semi Le vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso
description	Theatre and opera in Rousseau’s works deserve radically different treatments. Although the citoyen de Génève recognizes interest and imitation as common principles to both forms of art, the nature of theatrical and musical imitation sets them apart. The article draws on many writings of Rousseau to show how considerations about the role played by pity and imagination in the development of human history stand in the background to the author’s analysis of imitation and it singles out the peculiar relationship between music and language as crucial to the distinction between the moral effects of theatre and music.
format	article
author	Maria Semi
author_facet	Maria Semi
author_sort	Maria Semi
title	Le vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso
title_short	Le vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso
title_full	Le vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso
title_fullStr	Le vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso
title_full_unstemmed	Le vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso
title_sort	le vie della mimesis tra teatro e musica in jean-jacques rousseau: storia di un apparente paradosso
publisher	University of Bologna
publishDate	2021
url	https://doaj.org/article/d20274c6acf64fc5b0a413c667d50f68
work_keys_str_mv	AT mariasemi leviedellamimesistrateatroemusicainjeanjacquesrousseaustoriadiunapparenteparadosso
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Le vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso

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