‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance

To pursue the theme of soundscape (to use Murray Schafer’s term) in George Eliot’s Janet’s Repentance, this paper will successively address more specific topics: the forms of sound representations, the sound as an articulation of the social, the affinity of sound and sympathetic resonance. It will a...

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Autor principal:	Lilia Miroshnychenko
Formato:	article
Lenguaje:	EN FR
Publicado:	Presses Universitaires de la Méditerranée 2021
Materias:	Eliot (George) Janet’s Repentance soundscape sonic signatures auricularisation sonic landscape History of Great Britain DA1-995
Acceso en línea:	https://doaj.org/article/d289992e002a44bd81004200a6a83a65
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spelling	oai:doaj.org-article:d289992e002a44bd81004200a6a83a652021-12-02T10:09:01Z‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance0220-56102271-614910.4000/cve.9618https://doaj.org/article/d289992e002a44bd81004200a6a83a652021-10-01T00:00:00Zhttp://journals.openedition.org/cve/9618https://doaj.org/toc/0220-5610https://doaj.org/toc/2271-6149To pursue the theme of soundscape (to use Murray Schafer’s term) in George Eliot’s Janet’s Repentance, this paper will successively address more specific topics: the forms of sound representations, the sound as an articulation of the social, the affinity of sound and sympathetic resonance. It will also look at how critical hearing and speaking are to the crafting of the narrative and characterisation.Lilia MiroshnychenkoPresses Universitaires de la MéditerranéearticleEliot (George)Janet’s Repentancesoundscapesonic signaturesauricularisationsonic landscapeHistory of Great BritainDA1-995ENFRCahiers Victoriens et Edouardiens, Vol 94 (2021)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	Eliot (George) Janet’s Repentance soundscape sonic signatures auricularisation sonic landscape History of Great Britain DA1-995
spellingShingle	Eliot (George) Janet’s Repentance soundscape sonic signatures auricularisation sonic landscape History of Great Britain DA1-995 Lilia Miroshnychenko ‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance
description	To pursue the theme of soundscape (to use Murray Schafer’s term) in George Eliot’s Janet’s Repentance, this paper will successively address more specific topics: the forms of sound representations, the sound as an articulation of the social, the affinity of sound and sympathetic resonance. It will also look at how critical hearing and speaking are to the crafting of the narrative and characterisation.
format	article
author	Lilia Miroshnychenko
author_facet	Lilia Miroshnychenko
author_sort	Lilia Miroshnychenko
title	‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance
title_short	‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance
title_full	‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance
title_fullStr	‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance
title_full_unstemmed	‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance
title_sort	‘[e]very word he says to me enters my heart and has a new meaning for me’: the soundscape in george eliot’s janet’s repentance
publisher	Presses Universitaires de la Méditerranée
publishDate	2021
url	https://doaj.org/article/d289992e002a44bd81004200a6a83a65
work_keys_str_mv	AT liliamiroshnychenko everywordhesaystomeentersmyheartandhasanewmeaningformethesoundscapeingeorgeeliotsjanetsrepentance
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‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance

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