TRACES OF GENDER THEORIES ON STUDIES OF MUSICOLOGY AND ETHNOMUSICOLOGY

Gender theories point a structure where heteronormative order and/or the concepts that stay out of it are associated with each other or positioned through each other, with its content that embraces all gender-themed ideas, concepts, and cultural elements. Following the 19th century, some theoretical...

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Autor principal:	Şeyma ERSOY ÇAK
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	gender theories musicology ethnomusicology turkey Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/d4117e3be36b4e0d82838510df69e238
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spelling	oai:doaj.org-article:d4117e3be36b4e0d82838510df69e2382021-11-24T09:20:44ZTRACES OF GENDER THEORIES ON STUDIES OF MUSICOLOGY AND ETHNOMUSICOLOGY2148-416310.9761/JASSS7340https://doaj.org/article/d4117e3be36b4e0d82838510df69e2382019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=126909795_15-Yrd.%20Do%C3%A7.%20Dr.%20%C5%9Eeyma%20Ersoy%20%C3%87ak.pdf&key=28546https://doaj.org/toc/2148-4163Gender theories point a structure where heteronormative order and/or the concepts that stay out of it are associated with each other or positioned through each other, with its content that embraces all gender-themed ideas, concepts, and cultural elements. Following the 19th century, some theoretical and conceptual approaches (gender, feminism, queer) have been developed in the academic field in order to criticize behavioral patterns imposed upon gender identities according to cultural or social data and to express rights or inequities observed based on gender within social life. With feminism, in the 1960s women's advocacy was predominant, and in the 1980s the equality of men's and women's rights gained importance, and in the 1990s the search for rights was also included in the work. The common problem can be defined as the acceptance of the existence of 'otherized' individuals within society and the struggle to reach equal conditions. "New York Musicology Community" founded in America in 1930 has provided service for the field of musicology with the name “American Musicology Community” in 1934 as a cultural movement and included the topic of gender which is discussed as an inherent part of musicology to its scope of research. In the study, the relation between musical practices and gender theories are searched through the examples within the scope of musicology and ethnomusicology disciplines. Literature of gender and music were written in Europe, America, and Turkey are examined to learn about the scope of the studies, the close tie between the music performance, as an important part of cultures, and gender theories are conveyed with research examples through the data obtained, the effect of gender theories and research findings are evaluated in studies linked with music.Şeyma ERSOY ÇAKFırat Universityarticlegender theoriesmusicologyethnomusicologyturkeySocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 10, Iss 62, Pp 213-227 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	gender theories musicology ethnomusicology turkey Social Sciences H Social sciences (General) H1-99
spellingShingle	gender theories musicology ethnomusicology turkey Social Sciences H Social sciences (General) H1-99 Şeyma ERSOY ÇAK TRACES OF GENDER THEORIES ON STUDIES OF MUSICOLOGY AND ETHNOMUSICOLOGY
description	Gender theories point a structure where heteronormative order and/or the concepts that stay out of it are associated with each other or positioned through each other, with its content that embraces all gender-themed ideas, concepts, and cultural elements. Following the 19th century, some theoretical and conceptual approaches (gender, feminism, queer) have been developed in the academic field in order to criticize behavioral patterns imposed upon gender identities according to cultural or social data and to express rights or inequities observed based on gender within social life. With feminism, in the 1960s women's advocacy was predominant, and in the 1980s the equality of men's and women's rights gained importance, and in the 1990s the search for rights was also included in the work. The common problem can be defined as the acceptance of the existence of 'otherized' individuals within society and the struggle to reach equal conditions. "New York Musicology Community" founded in America in 1930 has provided service for the field of musicology with the name “American Musicology Community” in 1934 as a cultural movement and included the topic of gender which is discussed as an inherent part of musicology to its scope of research. In the study, the relation between musical practices and gender theories are searched through the examples within the scope of musicology and ethnomusicology disciplines. Literature of gender and music were written in Europe, America, and Turkey are examined to learn about the scope of the studies, the close tie between the music performance, as an important part of cultures, and gender theories are conveyed with research examples through the data obtained, the effect of gender theories and research findings are evaluated in studies linked with music.
format	article
author	Şeyma ERSOY ÇAK
author_facet	Şeyma ERSOY ÇAK
author_sort	Şeyma ERSOY ÇAK
title	TRACES OF GENDER THEORIES ON STUDIES OF MUSICOLOGY AND ETHNOMUSICOLOGY
title_short	TRACES OF GENDER THEORIES ON STUDIES OF MUSICOLOGY AND ETHNOMUSICOLOGY
title_full	TRACES OF GENDER THEORIES ON STUDIES OF MUSICOLOGY AND ETHNOMUSICOLOGY
title_fullStr	TRACES OF GENDER THEORIES ON STUDIES OF MUSICOLOGY AND ETHNOMUSICOLOGY
title_full_unstemmed	TRACES OF GENDER THEORIES ON STUDIES OF MUSICOLOGY AND ETHNOMUSICOLOGY
title_sort	traces of gender theories on studies of musicology and ethnomusicology
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/d4117e3be36b4e0d82838510df69e238
work_keys_str_mv	AT seymaersoycak tracesofgendertheoriesonstudiesofmusicologyandethnomusicology
_version_	1718415576136679424

TRACES OF GENDER THEORIES ON STUDIES OF MUSICOLOGY AND ETHNOMUSICOLOGY

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