El pasado no pasa, pesa, o Bolaño y Donoso unidos, jamás serán vencidos (Chile: antes-después de la dictadura)
This article discusses the production of two Chilean narratives from a feminist perspective: José Donoso’s El lugar sin límites (1966) and Roberto Bolaño’s Nocturno de Chile (2000). This analysis considers current Chilean history as an interpretative bridge between both novels. Discussing these nove...
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| Formato: | article |
| Lenguaje: | EN FR PT |
| Publicado: |
Centre de Recherches sur les Mondes Américains
2009
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| Acceso en línea: | https://doaj.org/article/d41980f358d74e78a6e92c1d47de263f |
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| Sumario: | This article discusses the production of two Chilean narratives from a feminist perspective: José Donoso’s El lugar sin límites (1966) and Roberto Bolaño’s Nocturno de Chile (2000). This analysis considers current Chilean history as an interpretative bridge between both novels. Discussing these novels, each of them written in two different moments of our recent history, allows us to built connections between politics, memory and literature. In doing so, it is possible to recover path of meanings of our cultural production. I argue that both texts, as shown by a rural brothel and an urban downtown house, promote a political destabilization which has not been discussed enough within the Chilean socio-cultural order. |
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