El pasado no pasa, pesa, o Bolaño y Donoso unidos, jamás serán vencidos (Chile: antes-después de la dictadura)
This article discusses the production of two Chilean narratives from a feminist perspective: José Donoso’s El lugar sin límites (1966) and Roberto Bolaño’s Nocturno de Chile (2000). This analysis considers current Chilean history as an interpretative bridge between both novels. Discussing these nove...
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Centre de Recherches sur les Mondes Américains
2009
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oai:doaj.org-article:d41980f358d74e78a6e92c1d47de263f2021-12-02T10:38:19ZEl pasado no pasa, pesa, o Bolaño y Donoso unidos, jamás serán vencidos (Chile: antes-después de la dictadura)1626-025210.4000/nuevomundo.57733https://doaj.org/article/d41980f358d74e78a6e92c1d47de263f2009-11-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/57733https://doaj.org/toc/1626-0252This article discusses the production of two Chilean narratives from a feminist perspective: José Donoso’s El lugar sin límites (1966) and Roberto Bolaño’s Nocturno de Chile (2000). This analysis considers current Chilean history as an interpretative bridge between both novels. Discussing these novels, each of them written in two different moments of our recent history, allows us to built connections between politics, memory and literature. In doing so, it is possible to recover path of meanings of our cultural production. I argue that both texts, as shown by a rural brothel and an urban downtown house, promote a political destabilization which has not been discussed enough within the Chilean socio-cultural order.Gilda del Carmen Luongo MoralesCentre de Recherches sur les Mondes Américainsarticlefeminist theorymemorypoliticssexual differenceAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2009) |
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feminist theory memory politics sexual difference Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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feminist theory memory politics sexual difference Anthropology GN1-890 Latin America. Spanish America F1201-3799 Gilda del Carmen Luongo Morales El pasado no pasa, pesa, o Bolaño y Donoso unidos, jamás serán vencidos (Chile: antes-después de la dictadura) |
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This article discusses the production of two Chilean narratives from a feminist perspective: José Donoso’s El lugar sin límites (1966) and Roberto Bolaño’s Nocturno de Chile (2000). This analysis considers current Chilean history as an interpretative bridge between both novels. Discussing these novels, each of them written in two different moments of our recent history, allows us to built connections between politics, memory and literature. In doing so, it is possible to recover path of meanings of our cultural production. I argue that both texts, as shown by a rural brothel and an urban downtown house, promote a political destabilization which has not been discussed enough within the Chilean socio-cultural order. |
format |
article |
author |
Gilda del Carmen Luongo Morales |
author_facet |
Gilda del Carmen Luongo Morales |
author_sort |
Gilda del Carmen Luongo Morales |
title |
El pasado no pasa, pesa, o Bolaño y Donoso unidos, jamás serán vencidos (Chile: antes-después de la dictadura) |
title_short |
El pasado no pasa, pesa, o Bolaño y Donoso unidos, jamás serán vencidos (Chile: antes-después de la dictadura) |
title_full |
El pasado no pasa, pesa, o Bolaño y Donoso unidos, jamás serán vencidos (Chile: antes-después de la dictadura) |
title_fullStr |
El pasado no pasa, pesa, o Bolaño y Donoso unidos, jamás serán vencidos (Chile: antes-después de la dictadura) |
title_full_unstemmed |
El pasado no pasa, pesa, o Bolaño y Donoso unidos, jamás serán vencidos (Chile: antes-después de la dictadura) |
title_sort |
el pasado no pasa, pesa, o bolaño y donoso unidos, jamás serán vencidos (chile: antes-después de la dictadura) |
publisher |
Centre de Recherches sur les Mondes Américains |
publishDate |
2009 |
url |
https://doaj.org/article/d41980f358d74e78a6e92c1d47de263f |
work_keys_str_mv |
AT gildadelcarmenluongomorales elpasadonopasapesaobolanoydonosounidosjamasseranvencidoschileantesdespuesdeladictadura |
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