Recepción y apropiación estética de la obra musical de Violeta Parra en Europa (1954-1990)

In this article, we reflect on the international repercussions of Violeta Parra’s musical work from the point of view of the European audience. By means of the use of musical reviews and articles published in the press between 1956-1990 in Spain, France, Italy, and Germany, we intend to stablish out...

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Autor principal:	Javier Rodriguez Aedo
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2018
Materias:	folk Cold War authenticity artistic tours cover Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/d48f467907484371b355faa9452ae3cd
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id	oai:doaj.org-article:d48f467907484371b355faa9452ae3cd
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spelling	oai:doaj.org-article:d48f467907484371b355faa9452ae3cd2021-12-02T10:30:07ZRecepción y apropiación estética de la obra musical de Violeta Parra en Europa (1954-1990)1626-025210.4000/nuevomundo.72183https://doaj.org/article/d48f467907484371b355faa9452ae3cd2018-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/72183https://doaj.org/toc/1626-0252In this article, we reflect on the international repercussions of Violeta Parra’s musical work from the point of view of the European audience. By means of the use of musical reviews and articles published in the press between 1956-1990 in Spain, France, Italy, and Germany, we intend to stablish out the aesthetic and ideological dimensions of the songwriter’s work in Europe, this last with a particular emphasis on two concepts, reception and appropriation. Given that the presence of Violeta Parra in Europe precedes the context of Chilean exile, at first, the reception of her work was not much different from the exoticism that defines the relationships given between Europe and Latin Folk Music. In this scenario, the military coup of 1973 not only played a crucial role for the international diffusion of Chilean popular music, but also for the achievement of a new reading of Violeta Parra’s work in Europe. Thus, this new European reading of Violeta Parra gradually gave way to other values regarding her work, among which ‘universality’ becomes central.Javier Rodriguez AedoCentre de Recherches sur les Mondes AméricainsarticlefolkCold Warauthenticityartistic tourscoverAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2018)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	folk Cold War authenticity artistic tours cover Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	folk Cold War authenticity artistic tours cover Anthropology GN1-890 Latin America. Spanish America F1201-3799 Javier Rodriguez Aedo Recepción y apropiación estética de la obra musical de Violeta Parra en Europa (1954-1990)
description	In this article, we reflect on the international repercussions of Violeta Parra’s musical work from the point of view of the European audience. By means of the use of musical reviews and articles published in the press between 1956-1990 in Spain, France, Italy, and Germany, we intend to stablish out the aesthetic and ideological dimensions of the songwriter’s work in Europe, this last with a particular emphasis on two concepts, reception and appropriation. Given that the presence of Violeta Parra in Europe precedes the context of Chilean exile, at first, the reception of her work was not much different from the exoticism that defines the relationships given between Europe and Latin Folk Music. In this scenario, the military coup of 1973 not only played a crucial role for the international diffusion of Chilean popular music, but also for the achievement of a new reading of Violeta Parra’s work in Europe. Thus, this new European reading of Violeta Parra gradually gave way to other values regarding her work, among which ‘universality’ becomes central.
format	article
author	Javier Rodriguez Aedo
author_facet	Javier Rodriguez Aedo
author_sort	Javier Rodriguez Aedo
title	Recepción y apropiación estética de la obra musical de Violeta Parra en Europa (1954-1990)
title_short	Recepción y apropiación estética de la obra musical de Violeta Parra en Europa (1954-1990)
title_full	Recepción y apropiación estética de la obra musical de Violeta Parra en Europa (1954-1990)
title_fullStr	Recepción y apropiación estética de la obra musical de Violeta Parra en Europa (1954-1990)
title_full_unstemmed	Recepción y apropiación estética de la obra musical de Violeta Parra en Europa (1954-1990)
title_sort	recepción y apropiación estética de la obra musical de violeta parra en europa (1954-1990)
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2018
url	https://doaj.org/article/d48f467907484371b355faa9452ae3cd
work_keys_str_mv	AT javierrodriguezaedo recepcionyapropiacionesteticadelaobramusicaldevioletaparraeneuropa19541990
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Recepción y apropiación estética de la obra musical de Violeta Parra en Europa (1954-1990)

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