Un cinéma affranchi du contrôle de l’État
The Syrian conflict is reflected, among others, in a flood of images: in the propaganda of the regime, in the Organization of the Islamic State (OEI), in testimonies of activists or reporters. Parallel to those videos broadcasted on television or posted on social media, a Syrian cinematic creation p...
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Université de Provence
2018
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oai:doaj.org-article:d4b4bf0a616a4daf8c823795674397122021-12-02T10:07:05ZUn cinéma affranchi du contrôle de l’État0997-13272105-227110.4000/remmm.9752https://doaj.org/article/d4b4bf0a616a4daf8c823795674397122018-06-01T00:00:00Zhttp://journals.openedition.org/remmm/9752https://doaj.org/toc/0997-1327https://doaj.org/toc/2105-2271The Syrian conflict is reflected, among others, in a flood of images: in the propaganda of the regime, in the Organization of the Islamic State (OEI), in testimonies of activists or reporters. Parallel to those videos broadcasted on television or posted on social media, a Syrian cinematic creation persists outside the official production channels of the regime and despite difficulties. This cinematic creation brings a singular insight, in contrast to the image usually conveyed on Syria ; and this in various and diverse formats. Beyond the simple testimony and independently of their career path, Syrian director filmmakers give their perspective in the comprehension of the changing situation in the country, engaged, at the same time, in a reflection on cinema. The diversity of approaches shapes a fragmented, national narrative.Nicolas AppeltUniversité de ProvencearticleSyriaimagesfilm creationMarch 2011revoltHistory of AfricaDT1-3415Social sciences (General)H1-99ENFRRevue des Mondes Musulmans et de la Méditerranée, Vol 143, p Vol 143, Seconde partie (2018) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
EN FR |
| topic |
Syria images film creation March 2011 revolt History of Africa DT1-3415 Social sciences (General) H1-99 |
| spellingShingle |
Syria images film creation March 2011 revolt History of Africa DT1-3415 Social sciences (General) H1-99 Nicolas Appelt Un cinéma affranchi du contrôle de l’État |
| description |
The Syrian conflict is reflected, among others, in a flood of images: in the propaganda of the regime, in the Organization of the Islamic State (OEI), in testimonies of activists or reporters. Parallel to those videos broadcasted on television or posted on social media, a Syrian cinematic creation persists outside the official production channels of the regime and despite difficulties. This cinematic creation brings a singular insight, in contrast to the image usually conveyed on Syria ; and this in various and diverse formats. Beyond the simple testimony and independently of their career path, Syrian director filmmakers give their perspective in the comprehension of the changing situation in the country, engaged, at the same time, in a reflection on cinema. The diversity of approaches shapes a fragmented, national narrative. |
| format |
article |
| author |
Nicolas Appelt |
| author_facet |
Nicolas Appelt |
| author_sort |
Nicolas Appelt |
| title |
Un cinéma affranchi du contrôle de l’État |
| title_short |
Un cinéma affranchi du contrôle de l’État |
| title_full |
Un cinéma affranchi du contrôle de l’État |
| title_fullStr |
Un cinéma affranchi du contrôle de l’État |
| title_full_unstemmed |
Un cinéma affranchi du contrôle de l’État |
| title_sort |
un cinéma affranchi du contrôle de l’état |
| publisher |
Université de Provence |
| publishDate |
2018 |
| url |
https://doaj.org/article/d4b4bf0a616a4daf8c82379567439712 |
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AT nicolasappelt uncinemaaffranchiducontroledeletat |
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