Pedro Penduko, Filipino Comic Superhero: comparative studies between comic and screen adaptation

This study intended to compare Filipino <em>komiks</em> from its film adaptation. In particular, it explores the form and content in <em>Pedro Penduko</em> (1954) and the film adaptation, <em>Pedro Penduko, Episode II: The Return of the Comeback</em> (2000) using...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Josephine May Grace Aclan Famoso
Formato: article
Lenguaje:EN
ID
Publicado: Universitas Ahmad Dahlan 2021
Materias:
P
Acceso en línea:https://doaj.org/article/d51e78beb8e34da989dcf79abdb2a50d
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:d51e78beb8e34da989dcf79abdb2a50d
record_format dspace
spelling oai:doaj.org-article:d51e78beb8e34da989dcf79abdb2a50d2021-11-26T02:06:22ZPedro Penduko, Filipino Comic Superhero: comparative studies between comic and screen adaptation0215-49942548-458310.26555/bahastra.v41i1.19898https://doaj.org/article/d51e78beb8e34da989dcf79abdb2a50d2021-04-01T00:00:00Zhttp://journal.uad.ac.id/index.php/BAHASTRA/article/view/19898https://doaj.org/toc/0215-4994https://doaj.org/toc/2548-4583This study intended to compare Filipino <em>komiks</em> from its film adaptation. In particular, it explores the form and content in <em>Pedro Penduko</em> (1954) and the film adaptation, <em>Pedro Penduko, Episode II: The Return of the Comeback</em> (2000) using the Formalistic Approach in literary criticism. The study highlights the elements such as characters, symbols, and themes. In brief, the characters in the <em>komiks</em> exemplify Filipino identity. However, the film version provides comic relief. Looking at symbols, the <em>komiks</em> used an amulet common to Filipino culture. The film, on the other hand, showcases a magical promotional vehicle. The theme in the <em>komiks</em> is concerned with issues as noteworthy as identity and culture, while the film spectacles self-interest. It was discovered that the <em>komiks</em> form contributes to a great sense of Filipino art. However, its film adaptation lacks the same qualities. The demand for significant visual outputs come from an audience who hope to see visual arts that are not just profitable works of art but are socially relevant and geared towards the promotion of nationalismJosephine May Grace Aclan FamosoUniversitas Ahmad Dahlanarticlecomics, commercial art, film, formalism, visual artEducation (General)L7-991Language and LiteraturePENIDBahastra, Vol 41, Iss 1, Pp 80-83 (2021)
institution DOAJ
collection DOAJ
language EN
ID
topic comics, commercial art, film, formalism, visual art
Education (General)
L7-991
Language and Literature
P
spellingShingle comics, commercial art, film, formalism, visual art
Education (General)
L7-991
Language and Literature
P
Josephine May Grace Aclan Famoso
Pedro Penduko, Filipino Comic Superhero: comparative studies between comic and screen adaptation
description This study intended to compare Filipino <em>komiks</em> from its film adaptation. In particular, it explores the form and content in <em>Pedro Penduko</em> (1954) and the film adaptation, <em>Pedro Penduko, Episode II: The Return of the Comeback</em> (2000) using the Formalistic Approach in literary criticism. The study highlights the elements such as characters, symbols, and themes. In brief, the characters in the <em>komiks</em> exemplify Filipino identity. However, the film version provides comic relief. Looking at symbols, the <em>komiks</em> used an amulet common to Filipino culture. The film, on the other hand, showcases a magical promotional vehicle. The theme in the <em>komiks</em> is concerned with issues as noteworthy as identity and culture, while the film spectacles self-interest. It was discovered that the <em>komiks</em> form contributes to a great sense of Filipino art. However, its film adaptation lacks the same qualities. The demand for significant visual outputs come from an audience who hope to see visual arts that are not just profitable works of art but are socially relevant and geared towards the promotion of nationalism
format article
author Josephine May Grace Aclan Famoso
author_facet Josephine May Grace Aclan Famoso
author_sort Josephine May Grace Aclan Famoso
title Pedro Penduko, Filipino Comic Superhero: comparative studies between comic and screen adaptation
title_short Pedro Penduko, Filipino Comic Superhero: comparative studies between comic and screen adaptation
title_full Pedro Penduko, Filipino Comic Superhero: comparative studies between comic and screen adaptation
title_fullStr Pedro Penduko, Filipino Comic Superhero: comparative studies between comic and screen adaptation
title_full_unstemmed Pedro Penduko, Filipino Comic Superhero: comparative studies between comic and screen adaptation
title_sort pedro penduko, filipino comic superhero: comparative studies between comic and screen adaptation
publisher Universitas Ahmad Dahlan
publishDate 2021
url https://doaj.org/article/d51e78beb8e34da989dcf79abdb2a50d
work_keys_str_mv AT josephinemaygraceaclanfamoso pedropendukofilipinocomicsuperherocomparativestudiesbetweencomicandscreenadaptation
_version_ 1718409996472942592