THREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE

The elements bearing a semiological feature and representing the Cretan culture, Cretan music and even the island itself since 11th century are the trigon of the lyra, the lute (lagouto-laouto) and the dancer accompanying them. The symbolic characteristic of the lyra which migrated to Crete from the...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Gözde ÇOLAKOĞLU SARI
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	identity semiology creta lyra lavta dance Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/d56632b432734ed5bab03c93150f6c88
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:d56632b432734ed5bab03c93150f6c88
record_format	dspace
spelling	oai:doaj.org-article:d56632b432734ed5bab03c93150f6c882021-11-24T09:21:04ZTHREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE2148-416310.9761/JASSS849https://doaj.org/article/d56632b432734ed5bab03c93150f6c882019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=761523899_45%C3%87olako%C4%9Flu%20Sar%C4%B1%20G%C3%B6zde_S-855-866.pdf&key=26667https://doaj.org/toc/2148-4163The elements bearing a semiological feature and representing the Cretan culture, Cretan music and even the island itself since 11th century are the trigon of the lyra, the lute (lagouto-laouto) and the dancer accompanying them. The symbolic characteristic of the lyra which migrated to Crete from the medieval Europe and Byzantium, augmented its importance in Crete further and just like rebec representing the palace, David and religious music in the medieval period, the instrument, along with the lute, has become a semiological element emphasizing the traditional spirit of Crete among the natives and in the tourism sector. The use of lyra, lute and dancer motives, especially in the market for the tourism and touristic goods, has revealed the concept of semiosis, which is defined by Charles Price, one of the pioneers of semiology theory, as “an element representing a certain thing within a certain context”. Because the dance, along with the lyra and the lute, has expressed the fundamental idea of Cretan society since the antiquity and has been the most authentic evidence of the continuation of the tradition. The islanders can dance for hours on social occasions, weddings and festivals and these dances are subGözde ÇOLAKOĞLU SARIFırat UniversityarticleidentitysemiologycretalyralavtadanceSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 6, Iss 18, Pp 855-866 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	identity semiology creta lyra lavta dance Social Sciences H Social sciences (General) H1-99
spellingShingle	identity semiology creta lyra lavta dance Social Sciences H Social sciences (General) H1-99 Gözde ÇOLAKOĞLU SARI THREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE
description	The elements bearing a semiological feature and representing the Cretan culture, Cretan music and even the island itself since 11th century are the trigon of the lyra, the lute (lagouto-laouto) and the dancer accompanying them. The symbolic characteristic of the lyra which migrated to Crete from the medieval Europe and Byzantium, augmented its importance in Crete further and just like rebec representing the palace, David and religious music in the medieval period, the instrument, along with the lute, has become a semiological element emphasizing the traditional spirit of Crete among the natives and in the tourism sector. The use of lyra, lute and dancer motives, especially in the market for the tourism and touristic goods, has revealed the concept of semiosis, which is defined by Charles Price, one of the pioneers of semiology theory, as “an element representing a certain thing within a certain context”. Because the dance, along with the lyra and the lute, has expressed the fundamental idea of Cretan society since the antiquity and has been the most authentic evidence of the continuation of the tradition. The islanders can dance for hours on social occasions, weddings and festivals and these dances are sub
format	article
author	Gözde ÇOLAKOĞLU SARI
author_facet	Gözde ÇOLAKOĞLU SARI
author_sort	Gözde ÇOLAKOĞLU SARI
title	THREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE
title_short	THREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE
title_full	THREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE
title_fullStr	THREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE
title_full_unstemmed	THREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE
title_sort	three sembols of cultural identity in crete: lyra, lute and dance
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/d56632b432734ed5bab03c93150f6c88
work_keys_str_mv	AT gozdecolakoglusari threesembolsofculturalidentityincretelyraluteanddance
_version_	1718415258294419456

THREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE

Ejemplares similares