Współczesne kino francuskie wobec pamięci postkolonialnej

Contemporary French Cinema Facing Postcolonial Memories For years little has been said the French public discourse about North and West African contribution to the World War II efforts, the sacrifice in blood of their soldiers was mentioned only rarely and occasionally. However, filmmakers embrac...

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Autor principal:	Małgorzata Kamecka
Formato:	article
Lenguaje:	EN PL
Publicado:	Ksiegarnia Akademicka Publishing 2015
Materias:	tożsamość pamięć etniczność francuskie kino postkolonialne Law K Political science J
Acceso en línea:	https://doaj.org/article/d5f39df4e57244df88ed8c95fb284da9
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spelling	oai:doaj.org-article:d5f39df4e57244df88ed8c95fb284da92021-11-27T13:14:56ZWspółczesne kino francuskie wobec pamięci postkolonialnej10.12797/Politeja.11.2014.31_1.101733-67162391-6737https://doaj.org/article/d5f39df4e57244df88ed8c95fb284da92015-12-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/2490https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 Contemporary French Cinema Facing Postcolonial Memories For years little has been said the French public discourse about North and West African contribution to the World War II efforts, the sacrifice in blood of their soldiers was mentioned only rarely and occasionally. However, filmmakers embraced this topic unfamiliar to the public. Rachid Bouchareb – a French director of Algerian descent – is one of them. His film Indigènes (2006) is a tribute of sorts to the “forgotten heroes”, who have lost their lives fighting Germans in the south of France and later Alsace. By portraying four soldiers, the artist poses important questions regarding topics such as ethnicity, equality, discrimination, and racism, but also that of being forsaken, leaving an emptiness in the collective mind of a nation. The author describes the attitude of contemporary French filmmakers towards the postcolonial past and themes of ethnicity, concentrating on a film by Rachid Bouchareb. The picture seems to be especially relevant from the point of mutual relations between ethnicity, the politics and culture. Małgorzata KameckaKsiegarnia Akademicka Publishingarticletożsamośćpamięćetnicznośćfrancuskie kino postkolonialneLawKPolitical scienceJENPLPoliteja, Vol 11, Iss 5 (31/1) (2015)
institution	DOAJ
collection	DOAJ
language	EN PL
topic	tożsamość pamięć etniczność francuskie kino postkolonialne Law K Political science J
spellingShingle	tożsamość pamięć etniczność francuskie kino postkolonialne Law K Political science J Małgorzata Kamecka Współczesne kino francuskie wobec pamięci postkolonialnej
description	Contemporary French Cinema Facing Postcolonial Memories For years little has been said the French public discourse about North and West African contribution to the World War II efforts, the sacrifice in blood of their soldiers was mentioned only rarely and occasionally. However, filmmakers embraced this topic unfamiliar to the public. Rachid Bouchareb – a French director of Algerian descent – is one of them. His film Indigènes (2006) is a tribute of sorts to the “forgotten heroes”, who have lost their lives fighting Germans in the south of France and later Alsace. By portraying four soldiers, the artist poses important questions regarding topics such as ethnicity, equality, discrimination, and racism, but also that of being forsaken, leaving an emptiness in the collective mind of a nation. The author describes the attitude of contemporary French filmmakers towards the postcolonial past and themes of ethnicity, concentrating on a film by Rachid Bouchareb. The picture seems to be especially relevant from the point of mutual relations between ethnicity, the politics and culture.
format	article
author	Małgorzata Kamecka
author_facet	Małgorzata Kamecka
author_sort	Małgorzata Kamecka
title	Współczesne kino francuskie wobec pamięci postkolonialnej
title_short	Współczesne kino francuskie wobec pamięci postkolonialnej
title_full	Współczesne kino francuskie wobec pamięci postkolonialnej
title_fullStr	Współczesne kino francuskie wobec pamięci postkolonialnej
title_full_unstemmed	Współczesne kino francuskie wobec pamięci postkolonialnej
title_sort	współczesne kino francuskie wobec pamięci postkolonialnej
publisher	Ksiegarnia Akademicka Publishing
publishDate	2015
url	https://doaj.org/article/d5f39df4e57244df88ed8c95fb284da9
work_keys_str_mv	AT małgorzatakamecka wspołczesnekinofrancuskiewobecpamiecipostkolonialnej
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Współczesne kino francuskie wobec pamięci postkolonialnej

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