Dark Margins: Invisibility and Obscenity in Thomas Pynchon’s V., The Crying of Lot 49, and Gravity’s Rainbow
This paper explores the inter-related themes of invisibility and obscenity in Thomas Pynchon’s V., The Crying of Lot 49, and Gravity’s Rainbow, as they reveal a gradated movement from the struggle between the “animate” and the “inanimate,” to the resistance against the inanimateness of the system th...
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| Format: | article |
| Langue: | EN FR |
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Association Française d'Etudes Américaines
2010
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| Accès en ligne: | https://doaj.org/article/d65889f0ccd04b33bc95f663d0366512 |
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