THE POEM “A FICTIONAL EXPEDITION TO TURKEY” BY SAHRIYAR AND THE EFFECT OF TURKISH POETS ON TO IT
Muhammad Hossein Shahriar, is the greatest poet in Modern South Azerbaijani Literature. The Poems are generally written in Persian Language. But his poems, which introduced him to the Turkic world as Shahriar, are Turkish poems. The number of the poems are about one hundred, the most important of th...
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oai:doaj.org-article:d6b13bba42744d248f0284f1dc2994272021-11-24T09:20:33ZTHE POEM “A FICTIONAL EXPEDITION TO TURKEY” BY SAHRIYAR AND THE EFFECT OF TURKISH POETS ON TO IT2148-416310.29228/JASSS.41523https://doaj.org/article/d6b13bba42744d248f0284f1dc2994272021-01-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=ff6cd136-405f-44a5-a803-9edc91948e8d.pdf&key=41523https://doaj.org/toc/2148-4163Muhammad Hossein Shahriar, is the greatest poet in Modern South Azerbaijani Literature. The Poems are generally written in Persian Language. But his poems, which introduced him to the Turkic world as Shahriar, are Turkish poems. The number of the poems are about one hundred, the most important of those poems without doubt are “Haydar Baba’ya Selam I and II”. The arrival of his mother Kövkeb Hanım in Tehran helped the poet recover from the depression he was in and became a turning point in the poet's art. Shahriar, who started writing poems in Azerbaijani Turkish after his mother said that she did not understand the poems he wrote in Persian, wrote his poem “Haydar Baba’ya Selam I” in 1950. The poem received great attention in reading circles and was published in Tehran in 1951. This poem, which Shahriar published in South Azerbaijan by breaking the ban on writing in Turkish, became the "sound flag of the Turkish language" throughout the Turkish world. Hundreds of responses were written to this poem by all the poets of the Turkic world. Shahriar's poem “Türkiye’ye Hayalî Sefer”, which is among the Turkish poems of Shahriar and reflects Shahriar's longing for Turkey and Istanbul, is another important text. In this poem, Shahriar expressed his longing for Turkey and Istanbul, which he always wanted to see but could not see. In this poem, Shahriar expressed his longing for Turkey and Istanbul, which he always wanted to see but could not see. In this poem, which is the product of an imaginary journey of Shahriar, it is seen that Shahriar harbors great love and admiration for Turkey, Istanbul, the Ottoman Empire and Atatürk. He reveals his love and admiration for Turkey and the Turks by identifying himself with his admiration for Tevfik Fikret, Mehmet Akif and Yahya Kemal. In his poetry, among the most important literary products of these three poets, whom he considers at the beginning of the poet ranks, the poems “Haluk’un Vedaı”, “İstiklal Marşı” and “Açık Deniz” are influenced at the level of ideas, images and meaning. Shahriar likens the glorious times of the Ottoman Empire to a fringed sun with wings on all sides. In Turkish poetry, Tevfik Fikret gave this image with the analogy “Sycamore”, while Yahya Kemal gave it with the image “Sea” in “open sea”. Shahriar hears the sadness of Yahya Kemal in the face of the fall of the Ottoman Empire in the face of the separation of the Turkic world. He blames unconscious administration for this breakout.Türkan GÖZÜTOKFırat Universityarticlemodern persian turkish poetry, muhammad hossein shahriar, haydar baba’ya selam iii, modern türkish poetsSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 13, Iss 83, Pp 169-180 (2021) |
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DE EN FR TR |
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modern persian turkish poetry, muhammad hossein shahriar, haydar baba’ya selam i ii, modern türkish poets Social Sciences H Social sciences (General) H1-99 |
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modern persian turkish poetry, muhammad hossein shahriar, haydar baba’ya selam i ii, modern türkish poets Social Sciences H Social sciences (General) H1-99 Türkan GÖZÜTOK THE POEM “A FICTIONAL EXPEDITION TO TURKEY” BY SAHRIYAR AND THE EFFECT OF TURKISH POETS ON TO IT |
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Muhammad Hossein Shahriar, is the greatest poet in Modern South Azerbaijani Literature. The Poems are generally written in Persian Language. But his poems, which introduced him to the Turkic world as Shahriar, are Turkish poems. The number of the poems are about one hundred, the most important of those poems without doubt are “Haydar Baba’ya Selam I and II”. The arrival of his mother Kövkeb Hanım in Tehran helped the poet recover from the depression he was in and became a turning point in the poet's art. Shahriar, who started writing poems in Azerbaijani Turkish after his mother said that she did not understand the poems he wrote in Persian, wrote his poem “Haydar Baba’ya Selam I” in 1950. The poem received great attention in reading circles and was published in Tehran in 1951. This poem, which Shahriar published in South Azerbaijan by breaking the ban on writing in Turkish, became the "sound flag of the Turkish language" throughout the Turkish world. Hundreds of responses were written to this poem by all the poets of the Turkic world. Shahriar's poem “Türkiye’ye Hayalî Sefer”, which is among the Turkish poems of Shahriar and reflects Shahriar's longing for Turkey and Istanbul, is another important text. In this poem, Shahriar expressed his longing for Turkey and Istanbul, which he always wanted to see but could not see. In this poem, Shahriar expressed his longing for Turkey and Istanbul, which he always wanted to see but could not see. In this poem, which is the product of an imaginary journey of Shahriar, it is seen that Shahriar harbors great love and admiration for Turkey, Istanbul, the Ottoman Empire and Atatürk. He reveals his love and admiration for Turkey and the Turks by identifying himself with his admiration for Tevfik Fikret, Mehmet Akif and Yahya Kemal. In his poetry, among the most important literary products of these three poets, whom he considers at the beginning of the poet ranks, the poems “Haluk’un Vedaı”, “İstiklal Marşı” and “Açık Deniz” are influenced at the level of ideas, images and meaning. Shahriar likens the glorious times of the Ottoman Empire to a fringed sun with wings on all sides. In Turkish poetry, Tevfik Fikret gave this image with the analogy “Sycamore”, while Yahya Kemal gave it with the image “Sea” in “open sea”. Shahriar hears the sadness of Yahya Kemal in the face of the fall of the Ottoman Empire in the face of the separation of the Turkic world. He blames unconscious administration for this breakout. |
| format |
article |
| author |
Türkan GÖZÜTOK |
| author_facet |
Türkan GÖZÜTOK |
| author_sort |
Türkan GÖZÜTOK |
| title |
THE POEM “A FICTIONAL EXPEDITION TO TURKEY” BY SAHRIYAR AND THE EFFECT OF TURKISH POETS ON TO IT |
| title_short |
THE POEM “A FICTIONAL EXPEDITION TO TURKEY” BY SAHRIYAR AND THE EFFECT OF TURKISH POETS ON TO IT |
| title_full |
THE POEM “A FICTIONAL EXPEDITION TO TURKEY” BY SAHRIYAR AND THE EFFECT OF TURKISH POETS ON TO IT |
| title_fullStr |
THE POEM “A FICTIONAL EXPEDITION TO TURKEY” BY SAHRIYAR AND THE EFFECT OF TURKISH POETS ON TO IT |
| title_full_unstemmed |
THE POEM “A FICTIONAL EXPEDITION TO TURKEY” BY SAHRIYAR AND THE EFFECT OF TURKISH POETS ON TO IT |
| title_sort |
poem “a fictional expedition to turkey” by sahriyar and the effect of turkish poets on to it |
| publisher |
Fırat University |
| publishDate |
2021 |
| url |
https://doaj.org/article/d6b13bba42744d248f0284f1dc299427 |
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