IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN

Abbas Kiarostami being one of the important men of Iranian cinema, used his camera as a mirror that reflects minimal lives. The living environment and the images of nature being the document attribute accompany to ordinary stories in the daily life. The greatest inspiration for these images is Persi...

Description complète

Enregistré dans:
Détails bibliographiques
Auteur principal: Ayla TORUN
Format: article
Langue:DE
EN
FR
TR
Publié: Fırat University 2019
Sujets:
H
Accès en ligne:https://doaj.org/article/d7146b79804a4400bc855475b6bcb3aa
Tags: Ajouter un tag
Pas de tags, Soyez le premier à ajouter un tag!
id oai:doaj.org-article:d7146b79804a4400bc855475b6bcb3aa
record_format dspace
spelling oai:doaj.org-article:d7146b79804a4400bc855475b6bcb3aa2021-11-24T09:20:49ZIMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN2148-416310.9761/JASSS3592https://doaj.org/article/d7146b79804a4400bc855475b6bcb3aa2019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=709261167_8-Yrd.%20Do%C3%A7.%20Dr.%20Ayla%20TORUN.pdf&key=28004https://doaj.org/toc/2148-4163Abbas Kiarostami being one of the important men of Iranian cinema, used his camera as a mirror that reflects minimal lives. The living environment and the images of nature being the document attribute accompany to ordinary stories in the daily life. The greatest inspiration for these images is Persian poetry which profoundly influenced Iranian cinema. In the film Shirin (2008) of Kiarostami that has left a trace by its different mode of expression in the poetic cinema of Iran, the word has replaced instead of the thing shown and descriptions that are made with only the sounds, in fact are responsible for a function describing "not shown". It is also remarkable by this aspect that cinema can be done without relying on visual elements which tell the story, and that it can emphasize on describe not shown. The signs of the thing not shown in Shirin which carries the minimalism limits to an extreme point in the cinema in fact existed as a method accompanying almost all filmographies of Kiarostami. In this study, it is evaluated the contribution of the element not shown to expressive the language of the Director’s contribution by the scene criticism method, in the process until Shirin being an example of the summit of minimalist and poetic cinema.Ayla TORUNFırat Universityarticleabbas kiarostamiminimalismshirinelement not showniranian cinemapersian poetrySocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 9, Iss 49, Pp 115-128 (2019)
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic abbas kiarostami
minimalism
shirin
element not shown
iranian cinema
persian poetry
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle abbas kiarostami
minimalism
shirin
element not shown
iranian cinema
persian poetry
Social Sciences
H
Social sciences (General)
H1-99
Ayla TORUN
IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
description Abbas Kiarostami being one of the important men of Iranian cinema, used his camera as a mirror that reflects minimal lives. The living environment and the images of nature being the document attribute accompany to ordinary stories in the daily life. The greatest inspiration for these images is Persian poetry which profoundly influenced Iranian cinema. In the film Shirin (2008) of Kiarostami that has left a trace by its different mode of expression in the poetic cinema of Iran, the word has replaced instead of the thing shown and descriptions that are made with only the sounds, in fact are responsible for a function describing "not shown". It is also remarkable by this aspect that cinema can be done without relying on visual elements which tell the story, and that it can emphasize on describe not shown. The signs of the thing not shown in Shirin which carries the minimalism limits to an extreme point in the cinema in fact existed as a method accompanying almost all filmographies of Kiarostami. In this study, it is evaluated the contribution of the element not shown to expressive the language of the Director’s contribution by the scene criticism method, in the process until Shirin being an example of the summit of minimalist and poetic cinema.
format article
author Ayla TORUN
author_facet Ayla TORUN
author_sort Ayla TORUN
title IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_short IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_full IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_fullStr IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_full_unstemmed IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_sort image of the element not shown in kiarostami, poetry and shirin
publisher Fırat University
publishDate 2019
url https://doaj.org/article/d7146b79804a4400bc855475b6bcb3aa
work_keys_str_mv AT aylatorun imageoftheelementnotshowninkiarostamipoetryandshirin
_version_ 1718415513596461056