IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN

Abbas Kiarostami being one of the important men of Iranian cinema, used his camera as a mirror that reflects minimal lives. The living environment and the images of nature being the document attribute accompany to ordinary stories in the daily life. The greatest inspiration for these images is Persi...

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Autor principal:	Ayla TORUN
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	abbas kiarostami minimalism shirin element not shown iranian cinema persian poetry Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/d7146b79804a4400bc855475b6bcb3aa
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id	oai:doaj.org-article:d7146b79804a4400bc855475b6bcb3aa
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spelling	oai:doaj.org-article:d7146b79804a4400bc855475b6bcb3aa2021-11-24T09:20:49ZIMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN2148-416310.9761/JASSS3592https://doaj.org/article/d7146b79804a4400bc855475b6bcb3aa2019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=709261167_8-Yrd.%20Do%C3%A7.%20Dr.%20Ayla%20TORUN.pdf&key=28004https://doaj.org/toc/2148-4163Abbas Kiarostami being one of the important men of Iranian cinema, used his camera as a mirror that reflects minimal lives. The living environment and the images of nature being the document attribute accompany to ordinary stories in the daily life. The greatest inspiration for these images is Persian poetry which profoundly influenced Iranian cinema. In the film Shirin (2008) of Kiarostami that has left a trace by its different mode of expression in the poetic cinema of Iran, the word has replaced instead of the thing shown and descriptions that are made with only the sounds, in fact are responsible for a function describing "not shown". It is also remarkable by this aspect that cinema can be done without relying on visual elements which tell the story, and that it can emphasize on describe not shown. The signs of the thing not shown in Shirin which carries the minimalism limits to an extreme point in the cinema in fact existed as a method accompanying almost all filmographies of Kiarostami. In this study, it is evaluated the contribution of the element not shown to expressive the language of the Director’s contribution by the scene criticism method, in the process until Shirin being an example of the summit of minimalist and poetic cinema.Ayla TORUNFırat Universityarticleabbas kiarostamiminimalismshirinelement not showniranian cinemapersian poetrySocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 9, Iss 49, Pp 115-128 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	abbas kiarostami minimalism shirin element not shown iranian cinema persian poetry Social Sciences H Social sciences (General) H1-99
spellingShingle	abbas kiarostami minimalism shirin element not shown iranian cinema persian poetry Social Sciences H Social sciences (General) H1-99 Ayla TORUN IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
description	Abbas Kiarostami being one of the important men of Iranian cinema, used his camera as a mirror that reflects minimal lives. The living environment and the images of nature being the document attribute accompany to ordinary stories in the daily life. The greatest inspiration for these images is Persian poetry which profoundly influenced Iranian cinema. In the film Shirin (2008) of Kiarostami that has left a trace by its different mode of expression in the poetic cinema of Iran, the word has replaced instead of the thing shown and descriptions that are made with only the sounds, in fact are responsible for a function describing "not shown". It is also remarkable by this aspect that cinema can be done without relying on visual elements which tell the story, and that it can emphasize on describe not shown. The signs of the thing not shown in Shirin which carries the minimalism limits to an extreme point in the cinema in fact existed as a method accompanying almost all filmographies of Kiarostami. In this study, it is evaluated the contribution of the element not shown to expressive the language of the Director’s contribution by the scene criticism method, in the process until Shirin being an example of the summit of minimalist and poetic cinema.
format	article
author	Ayla TORUN
author_facet	Ayla TORUN
author_sort	Ayla TORUN
title	IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_short	IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_full	IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_fullStr	IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_full_unstemmed	IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN
title_sort	image of the element not shown in kiarostami, poetry and shirin
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/d7146b79804a4400bc855475b6bcb3aa
work_keys_str_mv	AT aylatorun imageoftheelementnotshowninkiarostamipoetryandshirin
_version_	1718415513596461056

IMAGE OF THE ELEMENT NOT SHOWN IN KIAROSTAMI, POETRY AND SHIRIN

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